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World War One Posters: An Anniversary Collection (Calla Editions)

di Dover Publications Inc

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In commemoration of the 100th anniversary of America's entrance into World War I, this handsome volume presents fine reproductions of 100 of the era's greatest posters. From the thousands of examples produced in Europe and the United States, this collection offers a choice selection of full-page color reproductions accompanied by detailed captions.  World War I marked the first use of color lithographic posters as a propaganda tool, and they formed a major method of communications on both sides of the conflict. Governments were compelled to persuade citizens in the justness of the war's cause and the importance of participation -- especially in the United States, which waited nearly three years to enter the fray. Recruitment posters exhorted viewers to enlist in the armed forces by appealing to a sense of duty and patriotism and occasionally promising training in a variety of practical skills. Americans remaining on the home front were urged to buy Victory Bonds, support the Red Cross, knit socks, and contribute in other ways to the war effort. A renaissance of poster art had occurred immediately prior to World War I, thanks to advancements in printing techniques and materials, and the trend attracted legions of artists and craftsmen. James Montgomery Flagg's celebrated "I Want You for the U. S. Army," with its stern, finger-pointing image of Uncle Sam, remains a powerful and much-imitated symbol of patriotism. Other artists whose works appear in this collection include J. C. Lyendecker, Howard Chandler Christy, Gordon Grant, Harvey Dunn, Ludwig Hohlwein, Frank Brangwyn, and Theophile Steinlen. With their deep-rooted appeal to emotions and their powerful influence on behavior, these striking posters constitute an enduringly significant and historically valuable art form.… (altro)
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America declared war on the Government of Germany on April 2, 1917, and needed to raise an army to battle in Europe. America had not planned on entering the war and Wilson campaigned for his second term with the motto "He kept us out of war." War was not popular and many remembered the Civil War just a short 50 years in the past. Americans had no desire to fight the war "over there." The American population was a mix of nationalities. There were many Americans of German descent and even German immigrants.

In order to raise an army, navy, Marine Corps, and fund them, the government turned to art and propaganda. Posters were not simple recruiting posters but played on duty, adventure, and America's honor. Appeals were made to support liberty. To work the shipyards. Buy bonds. Eat fish because they feed themselves -- no need to care for them or use resources like livestock. Electricians, mechanics, and carpenters were encouraged to enlist and contribute their skills. Women were called to take office jobs held by men so they could enlist.

Posters are not limited to the United States. France, Belgium, Poland, Russia, Canada, and Germany all contribute posters. German posters portraying defense especially from aerial attacks. Other nations calling on men to enlist and others to contribute to the war effort. All posters are meant to play to the viewer's emotions and patriotism. These were more than just notices to be read they were meant to inspire loyalty and duty to one's country. ( )
  evil_cyclist | Mar 16, 2020 |
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In commemoration of the 100th anniversary of America's entrance into World War I, this handsome volume presents fine reproductions of 100 of the era's greatest posters. From the thousands of examples produced in Europe and the United States, this collection offers a choice selection of full-page color reproductions accompanied by detailed captions.  World War I marked the first use of color lithographic posters as a propaganda tool, and they formed a major method of communications on both sides of the conflict. Governments were compelled to persuade citizens in the justness of the war's cause and the importance of participation -- especially in the United States, which waited nearly three years to enter the fray. Recruitment posters exhorted viewers to enlist in the armed forces by appealing to a sense of duty and patriotism and occasionally promising training in a variety of practical skills. Americans remaining on the home front were urged to buy Victory Bonds, support the Red Cross, knit socks, and contribute in other ways to the war effort. A renaissance of poster art had occurred immediately prior to World War I, thanks to advancements in printing techniques and materials, and the trend attracted legions of artists and craftsmen. James Montgomery Flagg's celebrated "I Want You for the U. S. Army," with its stern, finger-pointing image of Uncle Sam, remains a powerful and much-imitated symbol of patriotism. Other artists whose works appear in this collection include J. C. Lyendecker, Howard Chandler Christy, Gordon Grant, Harvey Dunn, Ludwig Hohlwein, Frank Brangwyn, and Theophile Steinlen. With their deep-rooted appeal to emotions and their powerful influence on behavior, these striking posters constitute an enduringly significant and historically valuable art form.

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