Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.
Risultati da Google Ricerca Libri
Fai clic su di un'immagine per andare a Google Ricerca Libri.
..".glutted with graphic scenes of torture, dismemberment, evisceration..." - PUBLISHERS WEEKLY YEAR'S BEST HARDCORE HORROR VOLUME 2. Comet Press is extremely proud to present its second annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2016 that breaks boundaries and trashes taboos. Selected from indie publishers and magazines such as Weirdpunk Books, Necro Publications, Splatterpunk Zine, Corner Bar Magazine, Carrion Blue and Raw Dog Screaming Press, these stories represent the state of the art of extreme horror fiction. Whether extreme in theme or with gore galore, these disturbing tales will be hard to forget even though you may wish you could. Yes, there will be blood. Lots of it. Gore galore and plenty of the gushy stuff. But you'll also find tales less graphic but with hardcore attitudes, transgressive stories you're not sure you should be reading, stories showing you things you shouldn't see. Visceral fiction. This year's best hardcore fiction features work by Michael A. Arnzen, Jasper Bark, Christa Carmen, Marvin Brown, Adam Cesare, Matthew Chabin, Jose Cruz, Andrew Darlington, Paolo Di Orazio, Stefanie Elrick, William Grabowski, Sarah L. Johnson, Eric LaRocca, Alessandro Manzetti, Tim Miller, Alexandra Renwick, Bryan Smith, Jeremy Thompson, Tim Waggoner, Wrath James White, and Stephanie M. Wytovich.… (altro)
This is an anthology of 21 terror-inducing stories by 21 authors and while some stories are shorter than others, their gruesomeness was no less. I was a bit lost in the first story – 55 Ways I’d Prefer Not to Die – as it seemed disjointed (I am assuming I missed that it was going to list in one or two sentences the horrible ways one can die).
While I enjoy (nay, LOVE) horror, I am not a huge fan of short stories; they prevent the listener from delving into the story deep enough. It’s like you are just getting into the story when it’s suddenly done. The Bed of Crimson Joy was definitely bloody and gruesome. I enjoyed “Out Hunting for Teeth, Little Sister – Little Brother and A Face in the Crowd” to name a few.
Definitely gruesome, horrific, graphic details and not something you want to listen to after dark or when alone! Trust me on this one! Each one was scary but each following one was just as scary if not scarier!
Joe Hempel did not add to the feeling of safety at all! His performance was versatile and carried just the right mixture to induce the feelings of terror and creepiness. His passion for horror is evident as there seemed to an undercurrent of pleasure in his performance – like the sound of someone who playing themselves or that is passionate about the subject.
A great combination of writers and narrator!
There were no issues with the audio quality or production of this audiobook.
Audiobook was provided for review by the narrator. ( )
..".glutted with graphic scenes of torture, dismemberment, evisceration..." - PUBLISHERS WEEKLY YEAR'S BEST HARDCORE HORROR VOLUME 2. Comet Press is extremely proud to present its second annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2016 that breaks boundaries and trashes taboos. Selected from indie publishers and magazines such as Weirdpunk Books, Necro Publications, Splatterpunk Zine, Corner Bar Magazine, Carrion Blue and Raw Dog Screaming Press, these stories represent the state of the art of extreme horror fiction. Whether extreme in theme or with gore galore, these disturbing tales will be hard to forget even though you may wish you could. Yes, there will be blood. Lots of it. Gore galore and plenty of the gushy stuff. But you'll also find tales less graphic but with hardcore attitudes, transgressive stories you're not sure you should be reading, stories showing you things you shouldn't see. Visceral fiction. This year's best hardcore fiction features work by Michael A. Arnzen, Jasper Bark, Christa Carmen, Marvin Brown, Adam Cesare, Matthew Chabin, Jose Cruz, Andrew Darlington, Paolo Di Orazio, Stefanie Elrick, William Grabowski, Sarah L. Johnson, Eric LaRocca, Alessandro Manzetti, Tim Miller, Alexandra Renwick, Bryan Smith, Jeremy Thompson, Tim Waggoner, Wrath James White, and Stephanie M. Wytovich.
Google Books — Sto caricando le informazioni...
(3.33)
2
This is an anthology of 21 terror-inducing stories by 21 authors and while some stories are shorter than others, their gruesomeness was no less. I was a bit lost in the first story – 55 Ways I’d Prefer Not to Die – as it seemed disjointed (I am assuming I missed that it was going to list in one or two sentences the horrible ways one can die).
While I enjoy (nay, LOVE) horror, I am not a huge fan of short stories; they prevent the listener from delving into the story deep enough. It’s like you are just getting into the story when it’s suddenly done. The Bed of Crimson Joy was definitely bloody and gruesome. I enjoyed “Out Hunting for Teeth, Little Sister – Little Brother and A Face in the Crowd” to name a few.
Definitely gruesome, horrific, graphic details and not something you want to listen to after dark or when alone! Trust me on this one! Each one was scary but each following one was just as scary if not scarier!
Joe Hempel did not add to the feeling of safety at all! His performance was versatile and carried just the right mixture to induce the feelings of terror and creepiness. His passion for horror is evident as there seemed to an undercurrent of pleasure in his performance – like the sound of someone who playing themselves or that is passionate about the subject.
A great combination of writers and narrator!
There were no issues with the audio quality or production of this audiobook.
Audiobook was provided for review by the narrator. (