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The Escher Twist (2002)

di Jane Langton

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1596172,217 (3.5)3
With her sense of "abandon and play," Langton sends her scholar/sleuth Homer Kelly up the down staircase on a labyrinthine search for a missing art lover (Eudora Welty).   Leonard Sheldrake knows little about Frieda except that he loves her. A Harvard professor and admirer of the bizarre engravings of M. C. Escher, Leonard is visiting a Cambridge exhibition of the artist's work when he meets Frieda and falls instantly in love. As they trade remarks about the artwork, he learns a few brief things about her. Though young, she is a widow, an orphan, and has a terrible secret in her past. It is only after she vanishes that he realizes he didn't even learn her last name.   Leonard enlists fellow professor Homer Kelly, the amateur sleuth, to help find this beguiling young widow. But as they comb Cambridge for the woman in the green coat, Homer and his friend find themselves slipping into a mysterious labyrinth, whose treacherous dimensions are as impossible to grasp as anything dreamed up by the late, great M. C. Escher himself.… (altro)
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» Vedi le 3 citazioni

I've read and enjoyed a number of Jane Langton's Homer Kelly mysteries but this one left me cold. A bit of a clunker, with plot lines that I never really followed and a grand wrapping up that seemed to make very little sense out of it all.
  amyem58 | Feb 24, 2017 |
Better than most of the Kelly series. The M.C. Escher angle was irresistible to me and the Escher illustrations throughout were, in fact, illustrative and illuminating, giving another way (besides the text narrative) to view the story. When the story briefly veers into fantasy (Leonard going into reversal) it's less convincing, and although the circular-unending-funeral-procession theme works fairly well when filtered through the slightly dotty landlady's point of view, it doesn't fly from the perspective of Leonard the scientist. It seemed to me that the author was attempting experimental fiction, which would have been better in a short story with characters that had not previously featured in more conventional narrative. These episodes were mercifully few and not difficult to ignore. In the end, it was an enjoyable book to read and I appreciated Mary Kelly's larger role in this episode. ( )
  muumi | Apr 14, 2016 |
This is a better than average Homer Kelly story, in fact it is as much Mary as it is Homer, a development that Homer reflects upon as an indication of age and experience. There is a ‘young love’ story wrapped into the obligatory murder mystery and with the by-plot of the Kellys considering selling their house and moving to Cambridge, it seems as if Langton may be thinking of that certain stage of life. The Escher theme is well-crafted and closely aligned with the orientation of the protagonist, Leonard, a crystallographer and his would-be girlfriend. The setting, and the story hinges on an Escher image that suggests a meeting of two worlds, as if through a mirror. There is a bit of the supernatural as Leonard seemingly flips from one side of the ‘picture’ to the other, but this twist doesn’t really get off the ground in terms of either driving the plot or creating suspense, though the idea is intriguing. ( )
  JimPratt | Jan 22, 2014 |
i hated this. what did escher have to do with it? who were these people? ( )
  mahallett | Feb 14, 2011 |
-
  mulliner | Oct 17, 2009 |
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"Dying is a wild Night and a new Road." Emily Dickinson
"That sacred Closet when you sweep--Entitled "Memory"--Select a reverential Broom--And do it silently." Emily Dickinson
"Miss Herpitude was no ordinary librarian. She did not regard it as her sacred task to protect her precious volumes from the clutches of the villainous defacing mob. Instead it was her faith that the proper destiny for any book in her care was to lie open upon the lap of the reader, whether he were taking notes soberly in school or simply holding his place wtith a buttery finger while he ate lunch at his own table.......Mary subscribed to it with all her heart that the books were there to be used and librarians were there to be useful."
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With her sense of "abandon and play," Langton sends her scholar/sleuth Homer Kelly up the down staircase on a labyrinthine search for a missing art lover (Eudora Welty).   Leonard Sheldrake knows little about Frieda except that he loves her. A Harvard professor and admirer of the bizarre engravings of M. C. Escher, Leonard is visiting a Cambridge exhibition of the artist's work when he meets Frieda and falls instantly in love. As they trade remarks about the artwork, he learns a few brief things about her. Though young, she is a widow, an orphan, and has a terrible secret in her past. It is only after she vanishes that he realizes he didn't even learn her last name.   Leonard enlists fellow professor Homer Kelly, the amateur sleuth, to help find this beguiling young widow. But as they comb Cambridge for the woman in the green coat, Homer and his friend find themselves slipping into a mysterious labyrinth, whose treacherous dimensions are as impossible to grasp as anything dreamed up by the late, great M. C. Escher himself.

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