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Sto caricando le informazioni... Metro 2035 (2015)di Dmitry Glukhovsky
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Din păcate, acest roman este de necitit. Nici nu e roman, ci doar un haos de 600 de pagini, cu o nesfârșită inflație de cuvinte inutile, fără vreo noimă sau coerență. Cred că așa par visele unui drogat sau bețiv- mult prea prost chiar și pentru mine, întotdeauna exagerat de indulgent cu Gluhovski. Știam că e mult mai slab decât primele 2, din alte recenzii, dar nu mă așteptam să fie la un nivel inferior chiar si unui fan fiction. Nu mi-a plăcut nimic. Nici personajele - care personaje? - nici povestea - serios, care poveste? Efectiv nu are un fir narativ real - nici abjectul exagerat, nici fundalul care nu mai există... ( ) A step up from 2034, but still lacking what I liked about 2033. Walking through the tunnels is now a mundane affair, not the dangerous endeavor where the darkness itself was a danger to travelers. The creatures of the surface are not mentioned, the only danger is the radiation. Artyom now makes frequent trips to the surface alone, without fear of being devoured by some mutated horror. Put simply, leaving a station isn't dangerous. Taking the place of mutants and the supernatural is politics and human conflict. While I appreciate showing more of the major political factions in the Metro, the focus on this takes away the sense of adventure from 2033. There are some intense scenes here and there when Artyom is caught in the middle of their conflicts, but these don't carry the novel when Artyom returns to his meandering. All of this plus a rather anti-climactic ending left me disappointed. The book puts a heavy focus on Artyom's optimism and desire to return humanity to the surface, and Homer's obsession with writing a heroic epic to inspire the metro citizens. Maybe Artyom's goal would have worked in the style 2033 was written in, but it's stuck in a book about conspiracies. Speaking of Artyom, he's far more confrontational and argumentative than he was 2033. I haven't played the video games yet, but what I have seen of them looks like they are different canons and don't explain the change in personality. Homer returns from 2034, still wanting to write his book. nessuna recensione | aggiungi una recensione
È contenuto in
World War Three wiped out the humankind. The planet is empty now. Huge cities became dust and ashes. Railroads are being eaten by rust. Abandoned satellites hang lonely on the orbit. Radio is mute on all the frequencies. The only survivors of the last war were those who made it into the gates of the Metro, the subway system of Moscow city. It's there, hundreds of feet below the ground, in the vaults of what was constructed as the world's largest air-raids shelter that people try to outlive the end of the days. It's there that they created a new world for themselves. The stations of Metro became city-states, and its citizens, torn apart by religions and ideologies are fighting for the now scarce commodities: air, water, and space. This tiny underground world can only remind humans of an immense world they once were the masters of. It's been twenty years past Doomsday, and yet the survivors refuse to give up. The most stubborn of them keep cherishing a dream: when the radiation level from nuclear bombings subsides, they will be able to return to the surface and have the life their parents once had. But the most stubborn of the stubborn continues to search for other survivors in this huge emptiness that once was called Earth. His name is Artyom. He would give anything to lead his own people from the underground onto the surface. And he will. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)891.73Literature Literature of other languages Literature of east Indo-European and Celtic languages Russian and East Slavic languages Russian fictionClassificazione LCVotoMedia:
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