Fai clic su di un'immagine per andare a Google Ricerca Libri.
Sto caricando le informazioni... The King In Darknessdi Evan May
Nessuno Sto caricando le informazioni...
Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. nessuna recensione | aggiungi una recensione
Adam Godwinson, former priest, isn't sure what he believes in anymore. These days he deals in used books at a small store in Ottawa. But an old text, written in an unfamiliar language, is about to change that forever. Adam now finds himself the target of a powerful conspiracy. These shadowy figures, wielding abilities he can't understand, want to cleanse society of its sins - even if that means destroying it. Adam will have to figure out what he believes in to have a chance to save himself and the rest of the world. Non sono state trovate descrizioni di biblioteche |
Discussioni correntiNessuno
Google Books — Sto caricando le informazioni... VotoMedia:
Sei tu?Diventa un autore di LibraryThing. |
Overall, the concept—a weirdly out-of-time book that starts as a bit of a mystery and eventually takes on supernatural stakes as big as the end of the world—is right up my alley, and it's what drew me to the novel itself. Well, that and having the great experience of actually meeting the author.
And along with that concept, there are times when the writing is wonderful, especially when the focus is turned on two supporting characters, Marchale and Alex. Marchale's curmudgeonly demeanor was a consistent joy, and Alex's ramblings due to his mental issues worked well.
Unfortunately, what didn't work for me was the author's constant insistence on three things, all of which likely could have been corrected with some judicious editing.
The first is the leading up to what needed to be said. As just a single example, the start of chapter 14:
Adam decided it was worth paying a cab to get to the hospital as quickly as he could. It felt important that Bones have his friends around him as soon as possible. It had occurred to him to call the other Guild members, but he would have had to look up their numbers. Jane would probably have them on hand.
"Hi Father," said Jane, as he came in the door...
Everything before "Hi Father" could easily have been removed with no impact to the story. This is the case at the start of the majority of the novel's scenes.
In conjunction with that, comes my second concern, which was the author's constant insistence to show you something, then immediately tell you about it as well. Consider this section:
"It's all right, Adam said calmly. "There's nothing wrong with a sense of humour at times like this, as long as it's in the right sense."
"Well, in that case, Freddie is going to have to be very quiet," Jane suggested sweetly.
"I was going to go and help Sophia with the coffee, but perhaps you two can't be left alone," Adam said firmly.
"No, it's cool, Father," Fred replied in a somewhat chastened tone. "Sorry, I'm just trying to lighten the mood, you know?" One thing that had always been a comfort about the members of the Guild was that their good intentions were never in question, and although they bickered occasionally, all of them understood that. (bold mine)
The author is constantly interjecting with these little helpful observations that could have come out through dialogue, instead of telling. As well as describing all the saids (firmly, sweetly, somewhat chastened).
Finally, there were large swaths of text that summarized important discussions that I would have rather experienced, instead of being told. It's kind of like having someone stand in front of the TV and describe what's happening. It ain't fun.
But, having said all that, I have to say, there were also moments of brilliance in here, and a decent story. Enough that I'll definitely read the follow-up novel. ( )