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Sto caricando le informazioni... A Man of Geniusdi Janet Todd
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"Strange and haunting, a gothic novel with a modern consciousness." Philippa Gregory "A quirky, darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice's watery, decadent glory." Sarah Dunant 'A mesmerizing story of love and obsession in nineteenth century Venice: dark and utterly compelling." Natasha Solomons "Intriguing and entertaining; a clever, beguiling debut.Todd knows her Venice backwards." Salley Vickers "Revealing, surprising, compelling, gripping." Miriam Margolyes, actress A Man of Genius portrays a psychological journey from safety into obsession and secrecy. It mirrors a physical passage from flamboyant Regency England through a Europe conquered by Napoleon. Ann, a successful writer of cheap Gothic novels, becomes obsessed with Robert James, regarded by many, including himself, as a genius, with his ideas, his talk, and his band of male followers. However, their relationship becomes tortuous, as Robert descends into violence and madness. The pair leaves London for occupied Venice, where Ann tries to cope with the monstrous ego of her lover. Forced to flee with a stranger, she delves into her past, to be jolted by a series of revelations--about her lover, her parentage, the stranger, and herself. Janet Toddis known for her works about Mary Wollstonecraft, Aphra Behn, the Shelley circle, and Jane Austen. Born in Wales, her wandering childhood in the United Kingdom, Bermuda, and Sri Lanka led to work as an academic in Ghana, the United States, and United Kingdom. Her passion has been for women writers, the largely unknown and the famous. A former president of Lucy Cavendish College, University of Cambridge, she lives in Cambridge and Venice. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)823.9Literature English English fiction Modern PeriodClassificazione LCVotoMedia:
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Nevertheless, this shrinking violet enjoys her freedom to go where she will, with whom, and to manage her own affairs, even as she realizes the price she pays. With no husband, father, or suitor, Ann has no male protector and is therefore an outlier, something that strikes her most vividly when she visits her kindly cousin Sarah, married and a mother several times over. Sarah believes that a woman’s place is in the home, but she doesn’t criticize her (marginally) more worldly cousin.
Enter Robert James, an Irish-born writer who has attracted a coterie of men who hang on his every word. Robert has written nothing except a poetic fragment titled Attila, and he has a gift for cruel mimicry, yet this earns him the title of genius, a mantle he assumes as his due. Ann, who has drifted into this circle—one of two women the group tolerates, though just barely—is thrilled that the great man has noticed her. So starved is she for attention that she willingly becomes his lover, even though he cares not one whit about pleasing her and grows more and more abusive with passing months. Attila, indeed.
If the subtitle were How to Create a Masochist, A Man of Genius would almost qualify as nonfiction. Ann’s mother has hated her from birth, literally slapping her for daring to open her mouth, while lionizing Gilbert, the father who died before the poor girl was born. So of course Ann finds the most criminally narcissistic man available, violent and sullen by turns, and attaches herself obsessively.
We’ve all known someone like Robert, but, I hope, have had the sense to avoid them and, even more important, the self-respect to resist their gravitational pull. Since masochists believe they have no gravity—or more precisely, that its laws benefit them only on sufferance—reading about such people drives me absolutely crazy. In fact, when I reached the rather too lengthy part when Robert spouts dull, pretentious drivel, and his friends lap it up, I realized that I’d tried reading A Man of Genius once before, and that this section had persuaded me to put the book aside.
But this time, I kept going and was rewarded. An ardent feminist, Todd has much to say about the peripheries in which women reside, either for safety’s sake or because men have displaced them from more comfortable, visible quarters. Yet she never pretends that by definition, women are superior, or men, evil, and she sketches out the limits of discourse and understanding between the sexes with a sure hand. The context is historical, yet you get the picture–not as much has changed as we might like to think.
Also, though Todd dares literary cliché by having her characters move to Venice to try to escape themselves, she describes that city so masterfully that you forget you’ve read a dozen other novels about it. Further, the trip to Venice prompts Ann to delve into secrets from her past, which kicks the storytelling into a higher gear, and whose twists and reversals keep you guessing until the end.
Where A Man of Genius falls short, I think, is the dynamic between Ann and Robert. I like novels that render each emotional moment with care—one reason I stayed with this one—but too often here, the psychological currents swirl in tight circles. Robert never gives Ann a reason to think that he cares for her or enjoys her company, for which she blames herself. I’d have believed this part more readily—and skimmed less—had he doled out morsels that tantalized her, only to withhold them otherwise.
That would have positioned Ann as coming back for more rather than holding onto nothing, and her self-blame would have been easier to swallow. It would have also made her initial attraction more plausible; other than her own pathology, I can’t figure out why she’d bother. ( )