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Published in 1928, Those Shepton Children collects three of Agnes Adams' shorter works that were all released separately - Our Lil: A Village Story in 1923, That Barbara Moore in 1924, and Ella of Berry Farm in 1927 - as part of Oxford University Press's "Golden Rule Series." Although written and published in the 1920s, the stories are set almost sixty years earlier, in the mid-19th century, making them works of historical fiction. I was particularly struck, while reading, by the fact that the children depicted in Adams' stories are all members of the rural working class, as most of the vintage British children's book of this era that I have read concern themselves with the lives of middle and upper-class children. Adams depicts serious social issues and problems - the lack of educational opportunities available to the children of farmers and rural workers, particularly girls; the effects of parental alcoholism on the home; the abuse of children by their caregivers - with sympathy, and if the resolutions she offers to some of her plot-lines seem too easily accomplished, I was nevertheless impressed by the fact that she chose to explore them at all in works intended for younger readers. It is clear that education is meant to be the overarching theme here, and that Adams is attempting to depict the lives of rural children much in need of schooling, at just that moment in time when educational reform in England was coming to a head. In Ella of Berry Farm, the vicar even comes to call upon Farmer Cole, to share the news of a new Education Bill (perhaps the 1870 Education Act?) that makes education available to all, including girls. One wonders what lessons Adams hoped her readers in the 1920s would take away from these stories set in the 1860s and 70s. The benefit of education is a clear underlying theme, but there is also the issue of gender here, as each of the heroines in the three stories included in Those Shepton Children is a bit of a 'difficult' girl, one who doesn't quite fit the conventional mold. Ella is a poet, despite her father's distrust of education for girls; Lilian a philosopher in the making, with her musings about finding God in nature; while Barbara is a bit of a rebel, one not afraid to clash with the religious and educational authority figures in her small world, and one who must be persuaded with reason toward the right path, rather than forced onto it by a show of superior strength. Adams is making a point here, not just about the importance of education, but about its importance for girls, particularly girls of the lower classes, who are far more likely to need a means of earning their way in the world, than their peers in the middle and upper classes. She is also making a point about class, undermining the notion that there is less intelligence and/or curiosity in the children of the working people than in their more economically advantaged peers. All in all, quite an interesting collection of tales, one I would recommend (with the caveat that the final story, That Barbara Moore, contains two unfortunate casual uses of the word "n*gger") to those looking for vintage British girls' fare that explores issues of education and class. ( )