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Anais: The Erotic Life of Anais Nin

di Noël Riley Fitch

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2312116,437 (3.7)3
Anais Nin was the ultimate femme fatale, a passionate and mysterious woman, world famous for her extravagant sexual exploits, most notably her simultaneous affairs with Henry and June Miller and her bicoastal bigamous marriages. In the mid-1920s, eager to break the confines of American Victorianism both as an artist and as a woman, Nin traveled to Paris, where she fell in with the legendary artistic and literary circles of the Left Bank. "Nin's Diary", published over the years in numerous volumes, has been hailed as a breakthrough document by literary critics and feminists alike. Yet in the published diary, Nin did not lay bare her true self. She instead constructed a carefully stylized image of the woman the world knew as "Anais" while keeping her inner self hidden. In "Anais", biographer Noel Riley Fitch presents an honest portrait of Nin's passionate, tumultuous, and sometimes bitterly painful life. Fitch reveals, among other things, that behind Nin's coquetry was the desperate yearning of an abused and abandoned child. This, the first biography of Nin, complements, corrects, and demystifies the image that Nin so artfully crafted in her diary.… (altro)
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Fitch's work can be cumbersome at times. It is a little confusing in spots, mostly due to the tricky present-tense and Fitch's tendency to make giant, intuitive leaps from one reference to another. I do not, however, feel that this detracts one bit from the subject matter.

I can't imagine another biography addressing Nin's complicated life and neurosis with the same unflinching honesty and compassion. Nin was an extremely complex woman who spent most of her time and energy trying to compartmentalize her life, then painfully pushing against the boundries of those compartments with her life and work. Fitch pulls from multiple sources to draw a more cohesive picture of Nin's life than Anais herself ever did. Though that's rather the point, isn't it? The original published diaries are now understood to be a construct of Nin's talented metaphorical writing: true in a sense, but bearing little resemblence to hard facts. One doesn't read Nin's rich, feminine, lyrical prose for an accurate histoical record. And although it's difficult to be accurate about history under the best of circumstances, Fitch does a fine job piecing together the available clues not only for an accurate timeline, but for some kind of insight into Anais Nin's motivations.

Overall, Fitch portrayed Nin without prejudice, balancing the horrors of childhood abuse and neglect against the adult Nin's conscious betrayals of lovers and friends. Ultimately, she shows Nin to be a very flawed, very passionate artist without excuses. She neither condemns Nin, nor places her on a pedastal. I prefer this way... it's like seeing Nin through the eyes of a true friend;one that loves her for who she was, with no excuses. ( )
2 vota scarletvirago | Oct 14, 2007 |
Fitch has written a number of good biographies, and she has done a fine job of offering a balanced view of an unbalanced life. This is rich material, and I am amazed that Hollywood hasn't taken it up. Nin had simultaneous affairs with novelist Henry Miller and his wife, seduced her father to get even with him for calling her ugly when she was a child, and ended her life as a bigamist with husbands on either American coast. Whether your interest is deep psychology, the lives of artists (she knew them all) or titillating gossip, Nin's life provides it all. ( )
1 vota bookcrazed | May 27, 2006 |
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Anais Nin was the ultimate femme fatale, a passionate and mysterious woman, world famous for her extravagant sexual exploits, most notably her simultaneous affairs with Henry and June Miller and her bicoastal bigamous marriages. In the mid-1920s, eager to break the confines of American Victorianism both as an artist and as a woman, Nin traveled to Paris, where she fell in with the legendary artistic and literary circles of the Left Bank. "Nin's Diary", published over the years in numerous volumes, has been hailed as a breakthrough document by literary critics and feminists alike. Yet in the published diary, Nin did not lay bare her true self. She instead constructed a carefully stylized image of the woman the world knew as "Anais" while keeping her inner self hidden. In "Anais", biographer Noel Riley Fitch presents an honest portrait of Nin's passionate, tumultuous, and sometimes bitterly painful life. Fitch reveals, among other things, that behind Nin's coquetry was the desperate yearning of an abused and abandoned child. This, the first biography of Nin, complements, corrects, and demystifies the image that Nin so artfully crafted in her diary.

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