Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Fairy Tales from the Brothers Grimm: A New…
Sto caricando le informazioni...

Fairy Tales from the Brothers Grimm: A New English Version (originale 2012; edizione 2012)

di Philip Pullman (Retelling)

UtentiRecensioniPopolaritàMedia votiCitazioni
1,4314012,902 (4.03)37
Two centuries ago, Jacob and Wilhelm Grimm published the first volume of Children's and Household Tales. Now Philip Pullman, one of the most accomplished authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.
Utente:katie.chase
Titolo:Fairy Tales from the Brothers Grimm: A New English Version
Autori:Philip Pullman
Info:Viking Adult (2012), Edition: First Edition, Hardcover, 400 pages
Collezioni:La tua biblioteca
Voto:
Etichette:Nessuno

Informazioni sull'opera

Fairy Tales from the Brothers Grimm: A New English Version di Philip Pullman (Retelling) (2012)

Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

» Vedi le 37 citazioni

Grimm Tales for Young and Old presents a collection of tales by the Brothers Grimm, creatively reimagined by Philip Pullman, author of His Dark Materials. Unlike the familiar bedtime stories of our childhood, Pullman takes us back to the darker roots of these tales. This collection is not intended for bedtime reading with children.

The book begins with an insightful introduction discussing the nature and origin of fairy tales, and each story is followed by a brief explanatory summary. Pullman’s easy writing style lends a refreshing twist to these timeless stories captivating the reader with their unique charm and ensuring accessibility for a modern audience.

These stories, however, mirror the values of their time, portraying women fixated on bearing children, cruel stepmothers, and men constantly falling in in love at first sight with beautiful women who are gifted to them by their fathers; hell, in Snow White, the woman doesn’t even need to be breathing for the prince to fall in love with her beauty!

Contrary to the title's implication of tales for the young, these narratives are not suitable for children. Pullman reminds us that the original tales served as cautionary fireside stories, exploring the darker aspects of the human soul, and providing warnings about the perils of the world. For this reason, the tales in this collection are better suited for mature readers, and I urge you to take note of the trigger warnings before embarking on your journey into the depths of these pages. ( )
  DelDevours | Dec 26, 2023 |
I am a runner. And when you run a long race, oftentimes you find yourself basically counting down the miles . . .10 to go, 9 to go, etc. I felt similarly while reading this book. 40 fairy tales to go. 39 fairy tales to go. 1 fairy tale to go. Goal!!
That's how much I enjoy reading fairy tales. Not.
Basically, fairy tales encompass every reading element I don't care for. No character development. Lots of fantastical and supernatural elements. Anti feminist (the women, in the form of princesses, are basically the reward for every good deed and every decent male). Worse yet, a lot of the elements are basically repeated in different tales.
This book was basically a retelling of favorites with Pullman's commentary at the end. Pullman's commentary was more like blog entries than a polished analysis. Sometimes he really made me chuckle. Sometimes he brought up some interesting tidbits. And sometimes, I'm like "can't believe they published this drivel". What his commentary was not was academic or erudite. That's fine, but I couldn't really trick myself into feeling like I was learning something by reading these fairy tales.
A few of the tales did bring about some nostalgia (Little Red Riding Hood). I also liked a few - - by far my favorite was the one about the insatiable wife who is never satisfied and harangues her husband endlessly. Another one I found enjoyable was about a very lazy man who marries a very lazy wife. But others were just bad or meandering or pointless.
At any rate, I'm still giving the book three stars because in the context of the tag, I think the book was a fine effort. I didn't have trouble getting through it. I found some of it mildly entertaining. So on the low end of the three star range, but definitely in there. ( )
  Anita_Pomerantz | Mar 23, 2023 |
I found this collection pretty unedifying really. I think it might be nice for a more casual reader rather than someone who has studied the tales, but lacking either novelty or exegesis its just another collection of fairy tales neither noticably better nor especially worse than any other. ( )
  elahrairah | Aug 30, 2022 |
Wonderful book - best overall condensation of Grimm I've encountered. Pullman is not only a wonderful writer, but a very competent scholar as well. ( )
  dhaxton | Mar 17, 2022 |
Very well told - will buy own copy. Loved these in childhood in an older version
  MiriamL | Feb 15, 2021 |
This collection is issued as a "classic", so it is probably right to aim for a style free of the gothic extravagance of Angela Carter or the contemporary ethics of Jane Yolen or any other highly literary or individual interpretation, but for those who already know the stories this results in a collection which is very good, but not very interesting.
 

» Aggiungi altri autori (5 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Pullman, PhilipRetellingautore primariotutte le edizioniconfermato
Grimm, JacobOriginalautore secondariotutte le edizioniconfermato
Grimm, WilhelmOriginalautore secondariotutte le edizioniconfermato
Forner, AlisonProgetto della copertinaautore secondarioalcune edizioniconfermato
Hildebrand, FloydIllustratoreautore secondarioalcune edizioniconfermato
Tan, ShaunIllustratoreautore secondarioalcune edizioniconfermato
West, SamuelNarratoreautore secondarioalcune edizioniconfermato
Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Titolo originale
Titoli alternativi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Data della prima edizione
Personaggi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Luoghi significativi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Eventi significativi
Film correlati
Epigrafe
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Fed
Up so long and variously by
Our age's fancy narrative concoctions,
I yearned for the kind of unseasoned telling found
In legends, fairy tales, a tone licked clean
Over the centuries by mild old tongues,
Grandam to cub, serene, anonymous.
...So my narrative
Wanted to be limpid, unfragmented;
My characters, conventional stock figures
Afflicted to a minimal degree
With personality and past experience--
A witch, a hermit, innocent young lovers,
The kinds of being we recall from Grimm,
Jung, Verdi, and the commedia dell'arte.
Dedica
Incipit
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
So writes the American poet James Merrill at the opening of 'The Book of Ephraim', the first part of his extraordinary long poem The Changing Light at Sandover (1982). -- From the INTRODUCTION
In the olden days, when wishing still worked, there lived a king whose daughters were all beautiful; but the youngest daughter was so lovely that even the sun, who has seen many things, was struck with wonder every time he shone on her face. -- From "The Frog King, or Iron Heinrich," first tale in the book
Citazioni
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
But my main interest has always been in how tales worked as stories. All I set out to do in this book was tell the best and most interesting of them, clearing out of the way anything that would prevent them from running freely. I didn't want to put them in modern settings, or produce personal interpretations or compose poetic variations on the originals; I just wanted to produce a version that was clear as water. My guiding question has been: ‘How would I tell this story myself, if I'd heard it told by someone else and wanted to pass it on?' Any changes I've made have been for the purpose of helping the story emerge more naturally in my voice. If, as happened occasionally, I thought an improvement was possible, I've either made a small change or two in the text itself or suggested a larger one in the note that follows the story.
There is no psychology in a fairy tale. The characters have little interior life; their motives are clear and obvious. If people are good, they are good, and if bad, they're bad. Even when the princess in ‘The Three Snake Leaves'…inexplicably and ungratefully turns against her husband, we know about it from the moment it happens. Nothing of that sort is concealed. The tremors and mysteries of human awareness, the whispers of memory, the promptings of half-understood regret or doubt or desire that are so much part of the subject matter of the modern novel are absently entirely. One might almost say that the characters in a fairy tale are not actually conscious.

They seldom have names of their own. More often than not they're known by their occupation or their social position, or by a quirk of their dress: the miller, the princess, the captain, the Bearskin, Little Red Riding Hood. When they do have a name it's usually Hans, just as Jack is the hero of every British fairy tale.

The most fitting pictorial representation of fairy-tale characters seems to me to be found not in any of the beautifully illustrated editions of Grimm that have been published over the years, but in the little cardboard cut-out figures that come with the toy theatre.
The fairy tale is in a perpetual state of becoming and alteration. To keep to one version or one translation alone is to put a robin redbreast in a cage.
‘'White as snow, red as blood, black as ebony! And now dead as a doornail!'' (Snow White)
Ultime parole
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
(Click per vedere. Attenzione: può contenere anticipazioni.)
Nota di disambiguazione
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Please distinguish between original publication of Philip Pullman's adapted stories, Fairy Tales from the Brothers Grimm: A New English Version (Viking; 2012), from its paperback re-issue as a Penguin Classics Deluxe Edition (Penguin; 2013). The paperback re-issue adds three stories that were omitted from Pullman's first collection, specifically: "The Twelve Huntsmen," "The Buffalo-Hide Boots," and "The Golden Key." Thank you.
Redattore editoriale
Elogi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Lingua originale
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese

Nessuno

Two centuries ago, Jacob and Wilhelm Grimm published the first volume of Children's and Household Tales. Now Philip Pullman, one of the most accomplished authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: (4.03)
0.5
1
1.5
2 5
2.5 3
3 30
3.5 11
4 92
4.5 6
5 53

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 204,913,306 libri! | Barra superiore: Sempre visibile