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Sto caricando le informazioni... We Go Pogo: Walt Kelly, Politics, and American Satire (Great Comics Artists)di Kerry D. Soper
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Walt Kelly (1913-1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson (Calvin and Hobbes), Jeff Smith (Bone), and Frank Cho (Liberty Meadows) have all cited Kelly as a major influence on their work. Alongside Uncle Scrooge's Carl Barks and Krazy Kat's George Herriman, Kelly is recognized as a genius of ""funny animal"" comics.We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger car Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)741.5The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, ComicsClassificazione LCVotoMedia:
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This is probably the most critical treatment of Kelly I've seen, although he still comes out looking pretty good. I had no idea that Kelly was such a skirt-chaser, particularly on his college campus visits (although not nearly to the extent of "Li'l Abner's" Al Capp, who used to chase the girls with such perseverance it probably would have gotten him arrested today).
Some of this reads like a doctoral dissertation (which it may be), but I was intrigued by most of it, particularly the material about race relations and "Pogo", and the aesthetics of the strip. I wish the illustrations could have been more numerous and less compacted (Kelly's art demands a large space, a point that the author makes himself). But as a whole this book deserves a spot on the bookshelf of any "Pogo" fan. ( )