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![The Orchardist: A Novel di Amanda Coplin](https://images-na.ssl-images-amazon.com/images/P/0062188518.01._SX180_SCLZZZZZZZ_.jpg)
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Sto caricando le informazioni... The Orchardist: A Novel (originale 2012; edizione 2013)di Amanda Coplin (Autore)
Informazioni sull'operaL'albero delle mele di Amanda Coplin (2012)
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Sto caricando le informazioni...
![]() Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. In an interview in the back of the book the author describes how she had a vision of a stolid old man in an orchard, with a young girl clinging to his pants, and a young woman in the background among the trees, and an overall air of grief among them, and that she wrote this book from that image. To me, this book felt like viewing a painting or photograph of her description, and thus I felt impressions of the characters from a very narrow distinct viewpoint, but not an overall understanding of them or ability to relate to them. nessuna recensione | aggiungi una recensione
Appartiene alle Collane EditorialiHarper Perennial Olive Editions (2016 Olive) Premi e riconoscimentiMenzioniElenchi di rilievo
At the turn of the 20th century in a rural stretch of the Pacific Northwest, a gentle solitary orchardist, Talmadge, tends to apples and apricots. Then two feral, pregnant girls and armed gunmen set Talmadge on an irrevocable course not only to save and protect but to reconcile the ghosts of his own troubled past. Non sono state trovate descrizioni di biblioteche |
Discussioni correntiNessunoCopertine popolari
![]() GeneriSistema Decimale Melvil (DDC)813.6Literature English (North America) American fiction 21st CenturyClassificazione LCVotoMedia:![]()
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The book never solves the mystery of the sister. I respect that choice—it’s more true—but I kept hoping for something to energize this long book. All the disclosure is up front and then it’s just the main character worrying.
It’s a study in the fallout from trauma, how far it ripples out. The end is sad but lovely. The prose is often lovely. I couldn’t shake the feeling, though, that the realism and the book’s truly admirable ethic were winning out over Story. (