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Prove a Villain

di KC Warwick

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Having returned to Elizabethan London after an absence of two years, Hugh Seaton is happy to resume his old job as tailor to the company of actors known as Strange's Men. He is less content when he finds himself looking for a murderer, and hiding his former lover, playwright Christopher Marlowe, who is suspected of stabbing one of the players to death. Marlowe wants to resume their relationship, but Hugh has doubts about the wisdom of this, especially as he has already decided to find himself a wife and family rather than risk his soul with the dangerous and disreputable Marlowe. To complicate matters, the young actor, Barnaby Winter, also has his sights set on Hugh and seems determined to win him. Hugh's enquiries, together with his efforts to keep Marlowe out of the hands of the law, cause him difficulties that threaten not only the lives of both men, but also the fragile relationship between them. Hugh also finds unexpected help from Marlowe's newest rival, a young playwright named Will, who is trying to make a name for himself in the theater world. Seeking the truth about the murder becomes the least of Hugh's worries, as he tries to decide where his affections lie, and in the process learns more about Marlowe than he wants to know.… (altro)
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This is not the first novel I read by K.C. Warwick, an like in the other two stories (novellas if I remember well), what you can immediately notice is that she is able to make the historical fiction enjoyable even for who is not usually a fan of the genre, simply because she doesn’t pushes to much on making the setting believable, and so filling the story of sometime useless details, but more concentrating on the characters and their interaction. Of course without losing the focus on being, in any case, an historical novel.

I have to admit that, strangely enough, this is the second novel I read with Kit Marlowe as main character in less than an year (the other one being The Shakespeare’s Conspiracy by Ted Bacino), and so I’m for sure still influenced by the way that other novel presented me the Elizabethan playwriter. Plus, knowing a thing or two of that period, I also know that unfortunately Kit Marlowe didn’t have a long life. So when I started reading this story, about the tailor Hugh Seaton and his lover Kit Marlowe, I’m sincere, I was waiting for the moment when the author would have put a stop to their relationship and maybe directed Hugh to another man (my cheering was for Barnaby). I admit that I was probably facing this novel in the wrong way: sure, the author is respectful of the period and the historical details, but this is, after all, a romance (yes, yes, I know, this is also a historical mystery, but you all know me, I don’t usually focus on the mystery, preferring the romance); and being this a romance, it can take some “licenses” on the real historical events. So what? Kit Marlowe died on May 30, 1593; William Shakespeare (another character in the story) started to write his plays around 1589 (several of his plays were on the London stage by 1592), this put this story happening around 1590… our heroes will have only 3 years to enjoy their romance, if this was indeed an historical fiction. But if you instead read it like an historical romance, a romancizing of history, then those dates don’t matter and you can actually think these men had an happily ever after. I want to approach this story with this attitude, because if you do the same, you will read a wonderful love story, a love story that takes in account all the odds of being in love with another man in the XVI century; not only that, also having to decide between a good and pleasant relationship with a tender and caring man like Barnaby, or loving a rake like Kit… well, we all know who are the best lovers, aren’t we? But aside from the joke, that was not an easy choice since Barnaby is really a good man, a good lover as well, and he really cares for Hugh.

The quality of the writing is, as I said, very good, especially for me: being not an English mother tongue reader, I often found difficult to read an historical novel for the trend of some writers to try to “replicate” the old language; I think it’s not necessary (aside maybe for a word or two), the reader can dive into the “history” even without that weight, exactly with K.C. Warwick’s approach, i.e. writing a believable story, with believable character, in a believable contest; if these characters are using a “modern” language (of course she is not making huge mistakes like historical inconsistencies), then that is easier for the reader, not for the author.

http://www.amazon.com/dp/0982826737/?tag=elimyrevandra-20
  elisa.rolle | May 15, 2011 |
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Having returned to Elizabethan London after an absence of two years, Hugh Seaton is happy to resume his old job as tailor to the company of actors known as Strange's Men. He is less content when he finds himself looking for a murderer, and hiding his former lover, playwright Christopher Marlowe, who is suspected of stabbing one of the players to death. Marlowe wants to resume their relationship, but Hugh has doubts about the wisdom of this, especially as he has already decided to find himself a wife and family rather than risk his soul with the dangerous and disreputable Marlowe. To complicate matters, the young actor, Barnaby Winter, also has his sights set on Hugh and seems determined to win him. Hugh's enquiries, together with his efforts to keep Marlowe out of the hands of the law, cause him difficulties that threaten not only the lives of both men, but also the fragile relationship between them. Hugh also finds unexpected help from Marlowe's newest rival, a young playwright named Will, who is trying to make a name for himself in the theater world. Seeking the truth about the murder becomes the least of Hugh's worries, as he tries to decide where his affections lie, and in the process learns more about Marlowe than he wants to know.

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