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Sto caricando le informazioni... The Mechanics of Homosexual Intercourse (Little House on the Bowery)di Lonely Christopher
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The Mechanics of Homosexual Intercourse, a radical map of shortcomings in our daily experiences in the form of a debut story collection, presents thematically related windows into serious emotional trouble and monstrous love. Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein'sThree Lives, with an unyielding imagination in the lovely/ugly architecture of his stories. Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volumeInto (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journalCorrespondence. He lives in Bed-Stuy, Brooklyn. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)813.6Literature English (North America) American fiction 21st CenturyClassificazione LCVotoMedia:
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Since I put such an emphasis here on cutting-edge literature, I've learned the hard way just what a minuscule line lays between a fascinating experimental project and one that just never quite works, with of course that line often changing position merely between one individual reader and the next; take for example the slim story collection The Mechanics of Homosexual Intercourse by a New York poet and playwright who goes by the nom-de-plume "Lonely Christopher," the latest in Dennis Cooper's edgy "Little House on the Bowery" series for Akashic Books. And indeed, that's the main excitement of an iconoclastic series like this in the first place, is the uneven nature of the books that are picked, with some that stick with you in a cultishly obsessive way and some that simply fall flat; and although I acknowledge that Intercourse will likely be the former with a lot of readers out there, it was unfortunately the latter with me, a book that felt just a tad too pretentious and forced for my tastes, deliberately obtuse prose-poems that make little narrative sense and that are obviously designed primarily for back-of-pub live performances in the middle of the night, exactly Christopher's background as a writer. Although it will intensely appeal to some, it just didn't do it for me, and gets only a limited recommendation today, specifically to readers who are already fans of slam poetry, "Sister Spit" style monologues, and the like.
Out of 10: 7.7 ( )