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Mozipedia : the encyclopedia of Morrissey…
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Mozipedia : the encyclopedia of Morrissey and the Smiths (edizione 2009)

di Simon Goddard

UtentiRecensioniPopolaritàMedia votiConversazioni
934294,998 (4.33)Nessuno
This is quite what the title implies: an encyclopaedia on Morrissey and his world, by journalist Simon Goddard. While the his subjective takes on what the songs are about are mostly worthless, as are his way of trying to be funny and witty - just read the end of his bit about Johnny Rogan's "The Severed Alliance" and you'll see what I mean - the real goodness in owning this book is that it serves as a collection of interesting trivia.

I'm your average trainspotter when it comes to music: things like label changes, singles, b-sides, shows, changes in lyrics are cool to me; vague, bizarre stuff about music sticks in my mind. And as Morrissey is my favourite living artist and seems to be extremely nerdy when it comes to music, he's left a legacy of borrowing elements from all types of media for his lyrics and music - for instance many a lyric he's culled off Shelagh Delaney's plays, or the music from The Cookies' "Only To Other People" for his "Girl Least Likely To" - not to mention obscure stuff like excommunicating people and leaving messages in the run-out grooves of vinyl records, his unique style and varying likes and dislikes are very much enhanced through this knowledge. If you're a music-sicko like me, that is.

I read this book from page one and forth, and as such it was beautiful to take an inner journey through Morrissey's work. For instance, reading of the workings surrounding the album "Vauxhall & I" really added depth for me, in relation to even the lyrics for the songs, those on the album, those reserved for b-sides and those discarded completely.

If the reader is a Morrissey neophyte, watch out: he has often given pretty varying accounts of events, times and likes/dislikes in the past, consciously or/and unconsciously. Hence, this feels a bit like treading water in wait for Morrissey's autobiography to drop, whenever and if-ever it will.

So, all in all, is this book worth a read? Fairly. If you're as much into minutiae regarding Morrissey and The Smiths as I am and you have a fair amount of common sense in order to try and separate gossip from fact, I'd say go for it. If you've heard "Girlfriend In A Coma" and say "Who?" when you hear the name Timi Yuro or see a picture of The Salford Lads Club, you'd probably fare better with another book. ( )
  pivic | Mar 20, 2020 |
Mostra 4 di 4
This is the definitive resource for all things Moz and Smiths. It's in my coffee table book rotation!
  shatomica | Oct 16, 2022 |
This is quite what the title implies: an encyclopaedia on Morrissey and his world, by journalist Simon Goddard. While the his subjective takes on what the songs are about are mostly worthless, as are his way of trying to be funny and witty - just read the end of his bit about Johnny Rogan's "The Severed Alliance" and you'll see what I mean - the real goodness in owning this book is that it serves as a collection of interesting trivia.

I'm your average trainspotter when it comes to music: things like label changes, singles, b-sides, shows, changes in lyrics are cool to me; vague, bizarre stuff about music sticks in my mind. And as Morrissey is my favourite living artist and seems to be extremely nerdy when it comes to music, he's left a legacy of borrowing elements from all types of media for his lyrics and music - for instance many a lyric he's culled off Shelagh Delaney's plays, or the music from The Cookies' "Only To Other People" for his "Girl Least Likely To" - not to mention obscure stuff like excommunicating people and leaving messages in the run-out grooves of vinyl records, his unique style and varying likes and dislikes are very much enhanced through this knowledge. If you're a music-sicko like me, that is.

I read this book from page one and forth, and as such it was beautiful to take an inner journey through Morrissey's work. For instance, reading of the workings surrounding the album "Vauxhall & I" really added depth for me, in relation to even the lyrics for the songs, those on the album, those reserved for b-sides and those discarded completely.

If the reader is a Morrissey neophyte, watch out: he has often given pretty varying accounts of events, times and likes/dislikes in the past, consciously or/and unconsciously. Hence, this feels a bit like treading water in wait for Morrissey's autobiography to drop, whenever and if-ever it will.

So, all in all, is this book worth a read? Fairly. If you're as much into minutiae regarding Morrissey and The Smiths as I am and you have a fair amount of common sense in order to try and separate gossip from fact, I'd say go for it. If you've heard "Girlfriend In A Coma" and say "Who?" when you hear the name Timi Yuro or see a picture of The Salford Lads Club, you'd probably fare better with another book. ( )
  pivic | Mar 20, 2020 |
A large book for Morrissey fans who like to read. Not all do, some are just music & concert fans. Published before Morrissey's own Autobiography this book (2009) is beautifully produced with easy to read font and wide margins. So many detailed entries that is it truly a reference work about Morrissey and The Smiths focusing again on Morrissey. I appreciated the 'life work' energy that went into this 500+ page opus. Goddard claims Marr/Morrissey are part of an English guitar triumvirate along with Lennon/McCartney and Jagger/Richards. This book might make you more fond of literature related Morrissey but then again it may have the opposite effect due to its large hardcover size. I love this magnum biography in the form of an encyclopedia. The entry on Los Angeles lists Lincoln Heights, California as an epicenter for fandom. I don't know why Goddard says that, although it might be true. Morrissey, currently, might have more fans in Long Beach, Calif. and Santa Ana, Calif. than within the Los Angeles city limits. Excellent bibliography, photos, discography. ( )
  sacredheart25 | Jan 17, 2015 |
Simon Goddard's Mozipedia takes obsession too far. It's everything you ever wanted to know about Morrissey... and quite a bit you probably never wanted to know, unless you're a stalker. This massive 500 page breeze-block of a book traces the sources of every lyric, every drummer, every acquaintance... yet throughout all this, the author can't decide whether he wants to stick to just the facts or offer a critical assessment, indulge in hearsay and gossip or tow the official Morrissey line.

Often fascinating, the track by track entries are vital, but many of the others blur the line between curiosity and trainspottery. Want to know more about every actor, poet, playwright, musician, philospher and street-sweeper Morrissey has ever expressed even a passing interest in? Then this is the book for you. But even if you're only reading a couple of entries a night (as I did), you may find such scrupulous attention to detail combined with dogmatic hero worship gets a little tiring after a while.

Read the full review at my blog ( )
2 vota rolhirst | Nov 9, 2010 |
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