Paula Volsky
Autore di Illusion
Sull'Autore
Born & raised in Fanwood, New Jersey, Paula Volsky majored in English literature at Vassar, then traveled to England to complete an M.A. in Shakespearean studies at the University of Birmingham. She has returned to New Jersey with her collection of Victoriana. (Bowker Author Biography)
Serie
Opere di Paula Volsky
Opere correlate
The Resurrected Holmes: New Cases from the Notes of John H. Watson, M.D. (1996) — Collaboratore — 90 copie
Lovers & Other Monsters: A Collection of Amorous Tales of Fantasy, Old and New (1992) — Collaboratore — 57 copie
Etichette
Informazioni generali
- Nome canonico
- Volsky, Paula
- Data di nascita
- 20th Century
- Sesso
- female
- Nazionalità
- USA
- Luogo di residenza
- Fanwood, New Jersey, USA (born)
- Istruzione
- Vassar College
University of Birmingham - Relazioni
- Myette-Volsky, Aline (mother)
Utenti
Discussioni
Fantasy novel from pre-1994 in Name that Book (Febbraio 2017)
Recensioni
Liste
Premi e riconoscimenti
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 14
- Opere correlate
- 7
- Utenti
- 2,422
- Popolarità
- #10,586
- Voto
- 3.7
- Recensioni
- 52
- ISBN
- 46
- Lingue
- 2
- Preferito da
- 16
Running away isn't something Verran does on the regular because she is characterized as being pretty obedient. So she gives in and gets married to this super powerful sorcerer, who she is more than a little afraid of. So, on paper this should be a pretty straight forward beauty and the beast story, where Verran learns more about her husband, becomes less afraid, and they eventually fall in love with each other. But no. That is not what happens.
What we get instead is the author tells us that this happens off screen somewhere. She tells us this when Verran gets into an argument with another character, that their marriage is not loveless, and that she is pregnant.
Like, why couldn't you show that? Why were there no scenes where there is at least an indication that they are trying to understand each other? You have 250 pages in which to do this. Why do we get chapters about what the villains are doing, whose names I can't for the life of me remember, when we know what they are doing because our protagonists are constantly talking/reacting to it.We know that Grizhni is being scapegoated by a corrupt government, but he is not really a character because we don't know his motivations or what he values with the exception of Verran. He is meant to be this larger than life figure in the politics of this world who is super OP and intimidating, but readers and Verran ( because it is her pov) rarely get glimpses of the man. It is like the romantic plot and the political overarching plot can't exist simultaneously in this book, so the subplot is hand waved away even though it is called the Sorcerer's Lady, so we are supposed to care about this relationship. We know Verran is trying to reach out to her husband. She is trying really hard. The most we get from Grizhni to indicate that he cares about her is that he glares less hard. Hell, I was more invested in the relationship she had with the mute servant, Nyd because it was more dynamic. So, when Fal Grizhni dies I kind of shrugged. He is one of the protagonists, there should be more of a reaction than this.… (altro)