Mark SalisburyRecensioni

Filled with wonderful interviews by top creators on how they made their most famous works. Highly informative. Good for any comic history fan.

Filled with wonderful interviews by top creators on how they wrote their most famous works. Highly informative. Good for any comic history fan.

Easily the best of the three companion books Harper Collins published. The amount of insight and detail in the behind the scenes looks at different aspects were incredible. This one, unlike the other, really focused on the production aspects - what each department did and why and how. Plus the graphic art and prop facsimiles and recreations were rad.

Synopsis: This is an excellent explanation of how the movie was made.
Review: Wow - just wow. Not only does this book show how the movie was made, but it also includes some artifacts that could have been used in the movie.

Great commemorative copy

I'm so in love with this book! It's fascinating to learn how they created the world of Fantastic Beasts and get to know the amazing casts/characters. I enjoyed looking at the vivid pictures and illustrations that make this magical world come to life. My absolute favorites are the pull-out memorabilia tucked within its pages, this book is definitely a must-have for Harry Potter/Fantastic Beasts fans.

Okay, okay ich geb es ja zu: Das hier kann schon gar keine objektive Besprechung werden, denn als Fan seiner Filme, der sich sogar seine Figuren hat auf den Fuß tätowieren lassen, bin ich wohl kaum in der Lage, anders als mit glitzernden Augen an die Sache ranzugehen. Aber selbst mit ein wenig Abstand, kann man diese Biografie – oder besser Filmografie – einfach nicht schlecht finden. (Außer man hasst Tim Burton und seine Filme).

Dieses reich illustrierte Buch untergliedert sich in einzelne Kapitel, die sich jeweils einem Film Burtons widmen. So erfährt der Leser Hinter- und Beweggründe zu der Entstehung eines Werkes und die Mühen, die Regisseur und Autoren manchmal auf sich genommen haben, um überhaupt eine Idee verwirklichen zu können. Die Filmindustrie ist ein hartes Geschäft. Zunächst muss man sich beweisen und man wird dementsprechend kritisch bis gar nicht beäugt. Landet man dann einen Erfolg, steigt der Druck. Von innen, wie auch von außen. Das Geschäft ist erbarmungslos, das musste Burton des öfteren feststellen. Man erlebt den Regisseur, Künstler, Filmemacher und Mensch in seiner persönlichen wie auch filmischen Entwicklung und hat mindestens genauso viel Spaß bei der Entstehung des Filmes, wie beim Anschauen desselbigen.

Die Illustrationen in dem Buch geben nicht allein nur einige Filmszenen wieder, es befinden sich darunter auch Fotos vom Drehort, Skizzen, die Burton eigenhändig angefertigt hat und die in seinem ganz eigenen Stil dargestellt sind. Die Texte sind aus Interviews zusammengestellt. Johnny Depp schrieb das Vorwort. Dieses Buch ist eine Erweiterung zu einem in den 1990er Jahren erschienene Ausgabe.
Das Buch ist nicht nur für Fans ein Genuss. Für diese natürlich ein Muss. Die Filme sowieso.

Very nice behind the scenes look at the movie with lots of cool pictures and drawings. It talks a little about most aspects of the movie--personally I could have looked at a whole book of just the costumes. It's such a beautiful movie, it's hard to capture in a book, but they do a decent job. There are interviews with the cast, and lots of insight into the process. My area of study for my MA in English Lit was Gothic Fiction, and I really loved the movie for how it really worked on that level but with a more level headed heroine than the traditional novels--reading about del Toro's experience with Gothic Fiction/film was so interesting!

In the beginning of 2015, the trailer of Crimson Peak was released and I fell in love, I even wrote so under it in the comment section and got 173 nods and a few comments of people laughing at me! (you'll have to Google it!)

In any case, I finally watched the movie and understood why it was not available in the Kuwaiti cinema, I thought it was just a classical horror movie but it had incest issues in it (which was pretty disturbing).

Ignoring that part, the decor, art and clothes were fantastic! I ordered this book before even watching the movie so I was finally happy to look through it and enjoy the film and story in a different format.

Marvel started me on these "Art of" books with their excellent, high quality line. While I don't buy art books for every film (not even the ones I really enjoy) I immediately preordered Crimson Peak when it was announced. I loved Pan's Labyrinth and El Orfanato, so I new Guillermo Del Toro's imagery and designs would be unique, creative and macabre. Happily, I wasn't wrong.

While the film has some issues, I still enjoyed it. The book is the same. It has stunning photography throughout from the film, including images from the posters, but there are also a handful of "curiosities" tucked into the pages. These include replica photos featured in the film, letters, biographies, and more tacked onto the pages (they can be removed easily), plus a pocket built into the back cover which holds a poster. The book has beautiful production values: thick, glossy pages, full color and a heaviness to it.

Further, the text is brilliant - enriching the mythology of the film to a whole new level. I cannot wait to watch it again to see some of what I missed and look at other things with new insight. There are chapters on each of the four main characters, including some of their biography to help provide additional perspective into their motivations. But the best sections are easily the house and the ghosts. Simply seeing the house in the film, you marvel at the level of detail and sumptuousness of the set. Del Toro's process for designing it is engrossing. The ghosts, which were my favorite part of the film, also have backstories and purpose. I love how the first and last ghosts we see are black, with the 3 red ones haunting the house and then one, lone, white ghost. The use of color and texture truly sets the film apart from others. Everything here enriches the film experience.

I do have a couple minor criticisms. If you watch my video, you'll hear a slight peeling sound. The book arrives tightly sealed in plastic to keep the extras enclosed. But it is VERY tight so that some of the pages stick together upon opening. Unfortunately, this occasionally results in a ghosting effect where a ink is transferred to the opposite page. Plus, one of the inserts has staples in it that caused an indentation in several pages. Second, this book really needs a slipcase to protect those curiosities from falling out after you've opened it. The Marvel books are sold at the same price point, and include a case, so I'm not sure why one wasn't included. I would have happily paid a bit more to get one, just to ensure nothing is lost.

Overall, the book is beautiful and I do not regret the purchase at all, despite these minor negatives. If you are a fan of Del Toro, Gothic imagery, or art books in general, this is a great purchase. Highly recommended.

Title: Elysium: The Art of the Film
Author: Mark Salisbury
Release Date: August 6, 2013
Publisher: Titan Books
Source: Titan Books ARC
Genre(s): Art book, Science Fiction, Dystopian Future, Film & Cinema

Rating: ★★★★☆
Review Spoilers:
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Titan Books can always be counted on to produce an amazing art book. The folks they have working for them over there really take these projects to heart and the final product is always just absolutely stunning. But the Elysium art book really is a step above the rest. I got it in the mail a few days ago and just had to share it with Therese and Jane pretty much immediately. I showed up with this massive cardboard envelope and pulled out the book. Therese, who hadn’t seen the film, and Jane, who had gone with me to see it, were equally as impressed.

And rightly so!

Pretty much anything you might have wanted to know about the design and development of this film can be found in this book. Well, except why they chose to embed an early 2000s digital camera in the back of Max’s head. I’m still not sure what purpose that serves. I mean, it’s not like he can use that view screen there now can he?

But I digress.

In his foreward remarks, Blomkamp tells readers that as a kid he was always very interested in pretty much anything ‘behind the scenes’ or ‘art book’ related. He liked to see how people created the stories he told. That makes sense because Blomkamp has clearly put a lot of thought into the movies he’s made himself. Ever since he broke on to the scene in 2009 with District 9 he has prove himself to be capable of creating very intricate, dystopian worlds that I’ve heard some say are arguably more interesting than the thinly veiled social commentary that comes along with them. I think he blends his worlds and his commentary spectacularly and I know I’m not alone in that.

But Jane has written up a review for the movie here. (Spoiler: It’s awesome.)

We’re here to talk about the art book.

Which – as I’ve said – is awesome. It’s just… gorgeous. I had to share it with everyone. Though I was also careful because a lot of my friends hadn’t seen the movie yet. So I showed them a lot of the concept artwork instead of any of the actual sections. They put a lot of effort into this movie. I mean, they had hundreds of pages of concept art and dozens of different versions of practically every robot, exoskeleton, and setting in the movie.

Just, like, tattoos. They also did a full spread of just logos from Elysium. Their attention to detail was quite impressive.
There are some art books that seem sort of unnecessary. Like, you don’t need to know just how many designs they went through for certain things. But this is one of those art books where you really care. Elysium gave us a very intricately designed dystopian future that was so visually compelling that you want to know just where things could have gone.

The differences in some of the designs for the vehicles and technology will literally blow you away. Not just because they look awesome – and the designs they chose look great, too – but because these people had such an imagination that they were able to just dream up all of these things. It was clearly a labor of love for all of them. Not just Blomkamp, not just the actors. The people behind the scenes really put a ridiculous about of effort into this film and what you see immortalized in the art book is a mere fraction of the artwork, storyboards, and concepts they put together.

The great thing about this book, too, is how well it’s written and how well it gets you into the moment. The more difficult choices are explained, actors get to chime in about their characters and motivations, and you really get to feel like you’ve got an inside look at what went into making Elysium.

It’s particularly important to note what went into making Elysium, too. We don’t get a whole lot of standalone science fiction any more. At most we get a bunch of Marvel superheroes, a Star Trek/Star Wars reboot, or an homage to earlier Spielberg films. But we’re starting to enter a sort of golden age for science fiction as more and more of the genre is reaching the big screen. It’s important to know what makes these films work and what doesn’t. It’s also important to know what goes into make the greats.

Elyisum is certainly one of the great films that’s going to come out of this science fiction renaissance – however long it might last. And thanks to this art book you can get to know a bit more about it. Besides, it looks super impressive on your bookshelf. Incredibly nerdy, yes. But it’s an impressive book nonetheless. The concept art for Elysium and Earth alone are more than worth checking this out. It is a must for science fiction cinephiles – believe me!

1) Within the first few pages cavalorn’s theory about the wounded side takes a serious blow as the images from the mural are shown unobscured. What cavalorn is mistaking as as a wounded flank is the chemical reaction taking place on the mural’s surface when humans unseal the room.

2) I’m pretty sure I was supposed to be blown away the art in this book. The preproduction work for this film is mind blowing, shocking in fact. Shocking that so much effort and money can go into the making of a movie in a world torn apart by poverty, in a world where so many lack basic medical care. Multiple versions of each set were made, enter the King (Ridley Scott) to choose his liking. I kept thinking about how many people lack access to the internet. I kept thinking about how many lives could have been changed with access to fraction of the funds used to create a single one of the rejected sets. Doubly insulting is the fact that so much capital will be wasted on an “entertainment” to be marketed as a commodity. Much animosity generated by the income disparity between working people and CEOs, why not disparity between working people and film directors, producers, and actors? The same formula seems to at play: the more mediocre at producing long term slow motion failure, the more exponential the compensation. Only the “entertainment” industry wouldn't think twice about producing a film with a budget of $130 million and then complain when people pirate low quality versions of it. As has been said (wrongly) about health benefits, pirated copies of mainstream movies are truly the crumbs of capitalism. [Wrongly because health care is a human right.] Triply insulting is the notion that this film is in some way “art” considering the producers of were neither brave enough to create a movie with an overt Christian message, nor one that dared (ooooooh) suggest extraterrestrial origins of Christ so that resulting mess was so confusing even the hoi polloi that swallowed the surreal fascist carnival indoctrination of Avatar complained about Prometheus not making sense. This when young feminists in Russia are being imprisoned for speaking truth to power from the steps of church.

This rant is not to take away from the many craftspeople and fine artists that created the look of Prometheus. These are the persons this book was created to celebrate (at least in part anyway - the book also serves as yet another self-perpetuating piece in this film’s behemoth marketing machine). Some of these workers I’m sure were under-compensated while others were over-compensated. None were featured on Entertainment Tonight. So though I think this book was supposed to cause me to appreciate their efforts, instead I’m left with two thoughts:

Art in service to what?

The art of Prometheus; the shame of a nation.

A really cool book. If you are a horror buff (especially 70s and 80s) then you will get plenty out of this book. It documents some of the best hollywood monster makers and showcases some of their best work. You may remember seeing some of the films discussed, and if not then it gives you some good ideas of what to borrow from the video store.

Fabulous. Lavishly illustrated with alot of interesting filming information.

The Directors on Directors series is a kind of Hello magazine for movie directors. The quote on the cover of my edition says 'a must for fans'. You wont really get much in the way of a critical perspective here. It reads like a series of standard 'making of' dvd featurettes. Some interesting details on how the movies got made. Worth a read if you already like the man's work.

I enjoyed this from start to finish. It's just Tim, in his own words, discussing his works. The updated version goes right through the Corpse Bride. Because of the sometimes hostile critical reaction he's received over the years, much of what he says comes off as a bit defensive. Of course, if you love Tim's style as much as I do, you'll just agree with him. He's quite honest about the missteps as well.

While it's not as enlightening as Allen on Allen, this is still a great read. The twin forwards by Johnny Depp are quite nice as well.