Nega MezlekiaRecensioni

"The main difference between war and peace used to be that in war the fathers buried their sons, while in peace the sons buried their fathers. The revolution redefined war and peace. I buried my father while I watched the Grim Reaper over my shoulder, making the roll call. "

This book follows the author's life growing up in Ethiopia. From a relatively happy childhood to school to imprisonment to revolution to imprisonment and torture to an attempt to escape the suffering to university and trying to support his family. All interweaved with beautiful folk tales which I loved and I definitely feel contributed to the book greatly.

This is not an easy book to read. Not because of the writing style - the author is very talented and the words are easy to follow- but because of what the book contains. A lot of content warnings related to torture, abuse, imprisonment, war, etc.. The author went through a lot, including being tortured in prison for speaking up for his beliefs (and he wasn't the only one swept up in this time of his life). There was preventable famine with people dying because of the government's greed. Teenage forced to fight a war against invaders. And yet, the love he feels from his country still shines through all the pain. He had hope for a better future with less fear and pain and violence.

This is definitely not a book I would recommend to everyone. It is a heartbreaking and difficult read. But if you can stomach the pain and sadness, you are in for a (rather depressing) treat. This is beautiful in the saddest way and is definitely a book that will touch you and stay with you after you turn the final page.

This story is told in a combination of typical narrative but mostly a heavy dose of folktale epic. Don't expect much in the way of character growth, because that's not the purpose of the book. However, the gorgeous writing and dense worldbuilding carried me through and still made me invest in the characters. I loved the mythic hyperbole and how well balanced it was to seem absurd at times but still make sense in the context of the story.

“Notes from the Hyena’s Belly: Memories of my Ethiopian Boyhood” (translated in Dutch as “De Buik van de Hyena”) was written by Nega Mezlekia and published in 2000. The author was born in 1958, the same year I was born myself, and the beginning of the book is very much a childhood as I had it, in a middle-class family, relatively protected, a schoolboy being naughty, pulling off all sorts of pranks, frequently being expelled from the class room: I recognize that. Yet, there are obviously a lot of things I don’t recognize, my teacher didn’t beat me senseless, I wasn’t subjected to witchcraft to drive out the devil, but mostly, I didn’t live in an Ethiopia with such a violent history, the things that come after Mr Mezlekia’s childhood. A very readable book, which becomes increasingly disturbing the further one gets, after the death of the Emperor Haille Salassie, and during the increasingly arbitrary years of political upheaval in this huge, complex and diversified country.

There is a lot to this book. At the heart of the story is Count Ashenafi; his daughter Aster and the society they live in. Aster is unusual and is cloistered away by her father. When she falls in love with one of her guards (a family slave) trouble follows. In the late 18th century Ethiopia was a mess of feuding warlords; religious conflict and the serfs and slaves were questioning the status quo. Mezlekia takes all this and creates an epic of forbidden love; civil conflict; touches of the supernatural and good story telling. I really enjoyed this book, I liked the characters and the setting. Sometimes the story seems a bit sprawling but overall a good read.

This is a fascinating account of life in an African culture and the story of survival during political upheaval. Recommended.

This is an amazing book, and perhaps the least well known African masterwork ever done. Hyperbole aside, it is at once a fable, cosmology, thriller, romance, allegory, and war novel. The author describes it as being "set in the period from 1750 to the late 1800's" in what is modern-day Ethiopia. It tells the tale of Gudu, a slave-cum-erstwhile-hero who leads a campaign, the love-of-his-life and noblewoman Aster, Aster's father Duke Ashenafi, and many other colorful characters. The plot migrates from family life and conflict, to intrigue, class warfare, and finally a series of raids and war. The plot is bejeweled with unexpected turns, despicable characters, noble purity, inventions, class struggle and much more. Why this book is not recognized for its quality is a mystery.

Notes from the Hyena's Belly is a memoir that often reads like a novel. It depicts Nega's relatively calm childhood in sharp contrast to the growing unrest, civil strife and government corruption that dominated his adolescence and early adulthood. The book gives insight into a piece of Ethiopia's history, which is peppered with scenes from Nega's growing up years and folk tales that his mother told. Nega successfully speaks to the impact of civil war, government corruption and the too frequent global indifference to such issues in Africa, while at the same time maintaining a wry sense of humor that makes his story all the more human and real. This combination gives it a unique flavor and certainly makes it memorable.