Annalena McAfeeRecensioni

00000127

This book is a virtuoso performance, one that unfortunately is meant to dazzle the reader with the literary gymnastics of its author rather than affect emotionally, much like a performance of "Flight of the Bumblebee" is meant to dazzle the listener with a sense of the mastery of the violin player rather than touch deeply.

The reader cannot deny the sheer skill of McAfee. She presents a narrative within a narrative, combining a story about researcher Mhairi McPhail on the fictional island of Fascaray with fictionalized excerpts of the work of the author she is researching, Grigor McWatt, along with samples of "his" poetry, random lists (for example, things her daughter brought with her to the island, or "chronological inventory of recordings of "Hame Tae Fascary," the song McWatt wrote about the island), along with lists of Scots words, letters between McWatt and his lover, excerpts of McPhail's own research book on the island and McWatt, Scottish recipes, a fake bibliography, and glossary of Scots words. Whew. The exhaustive research that McAfee has done takes its toll on the reader, however, as none of it resonates emotionally or spiritually. This is a purely intellectual enterprise, and reading it may give intellectual pleasure, but that's where the payoff ends. What we're left with is a ho-hum story about not-so-interesting characters and a lot of literary flourishes.

Thanks to the author and publisher for a review copy.

An entertaining and perceptive investigation into the changing nature of newspapers at a pivotal point of their history, after many years of working in journalism, the author draws on her experience to write a novel set in 1997 that as part of its plot sees the change from paper to online. But the main focus is the contrast between old and new journalism in the shape of Tamara Sim, a young, relatively naïve, journalist who usually produces short listings for her newspaper, but is unexpectedly given the opportunity to interview the elderly, experienced and well-respected reporter, Honor Tait. Their sparring and antagonism over the interview and the changing approach to reporting on celebrities gives a serious counterpoint to the humorous portrayal of the jealousy and backbiting of the newsroom as the members scramble to improve or protect their own position and reputation

Étonnamment bon livre, qui gagne en profondeur sur la fin. Une belle interrogation sur la mémoire et la vérité.½

This is an amusing novel which satirises the different aspects of the world of journalsim through the scenario of a young, ambitious but essentially shallow gossip columnist interviewing an aging foreign correspondent whose career started during the Spanish Civil War and included coverage of the liberation of Buchenwald, the Korean and Vietnam Wars, as well as meetings with Castro, Che Guavara, George Orwell and Ernest Hemingway.
Though it was slightly longer than was really necessary this is a very enjoyable book. The characters of Honor Tait, the elderly and accomplished correspondent, and Tamara Sim, who thrives in coverage of vacuous celebrities but barely knows which party is in government, are very finely drawn and skilfully contrasted.½

I was disappointed in this book. The plot was very thinly spread, and really just an excuse to describe the rivalry between journalists on national newspapers. It seemed very very slow, and did not live up to the blurbs given on the cover.