Rick MarschallRecensioni

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

The Classic Comics Library

A handsomely illustrated and well-researched history and compendium of the use of cartoon characters in American advertising from 1870 to 1940. There are separate chapters devoted to subjects such as R.F. Outcalt's "Yellow Kid" and "Buster Brown", cigarette ads (jarring to see characters such as the Yellow Kid, who is after all a kid, and sports figures such as Joe DiMaggio and Bill Tilden blithely talking up how smoking their brand helps their nerves and digestion), cartoon ads in wartime, Dr. Seuss, cartoonized sports figures and celebrities, and cartoonists themselves pitching products, for they were much more celebrated then than nowadays.

A list of the cartoonists and their creations at work would be too lengthy; suffice it to say that seemingly most of them were involved in pitching a multitude of products and causes. This was a most enjoyable and often surprising book, and I look forward to the planned second volume, continuing up to the present. And it was with a small tingle of pleasure that I saw a few of the items portrayed here which I have in my own collection of comic collectibles.

A very interesting book which gives a good overview and analysis of Theodore Roosevelt’s (TR’s) life, character, and political views. What makes the book unique and especially valuable is the inclusion of numerous political cartoons (some of which are in color) from the period under discussion. The text itself is illustrated with cartoons, and a portfolio of cartoons follows each chapter of TR’s adult life. Although most of the cartoons are of TR himself, some feature other politicians. Marschall provides descriptions of many of these illustrations, thus enhancing the reader’s experience of viewing them and providing information about the cartoonist and/or the topic being pictured.

Includes extensive bibliography and a citations section, which includes notes about both the cartoons and text of the book.

A very well-done and loving homage to Milt Caniff, which includes essays on his work, a biography, a retrospective showing of his work, and even a Caniff article on how to be a comic strip creator. A plum for the Caniff fan, such as myself.½

A collection of "screwball" comic strips, nonsensical humor that tries to delight by its absurdity. For the most part, this type of humor leaves me cold; it seems too cheap and easy. But the strips here aren't too bad, including "The Nut Bros.", "Smokey Stover", Milt Gross, Rube Goldberg, Dr. Seuss, and several other creators and strips. I guess I'm not lowbrow enough to appreciate most of this stuff.½

A nicely illustrated and well-annotated collection of what the author purports to be America's sixteen greatest comic strip creators. The list is made up of R.F. Outcalt, Rudolph Dirks, Frederick B. Opper, Winsor McCay, George Herriman, E.C. Segar, Cliff Sterrett, Roy Crane, Harold Gray, Hal Foster, Alex Raymond, Milton Caniff, Chester Gould, Al Capp, Walt Kelly, and Charles M. Schultz. If the list is chosen by longevity, popularity and influence, I can't argue with it. If the criteria are quality and creativity, I would add Bill Watterson (Calvin and Hobbs), Lynn Johnston (For Better or Worse), Peter O'Donnell (Modesty Blaise), and several others, and would drop several of the author's choices. In all, though, a fascinating book.½

The first Nemo annual. Oversize magazine