Neal Litherland

New Avalon is a series of short stories that take place in the fictional steampunk city of the same name. The city of New Avalon is vividly described and mapped out. Parts of it reminded me descriptions of Victorian London, but other sections of the city are unique.
I enjoyed every single story, something I do not always find in anthologies. The prose is elegant and descriptive, noting small details that enchant and cause the reader to linger over a sentence. Each story revolves around a love that goes wrong in some way. There are no happy endings here and that seems fitting in New Avalon.
Many of the stories hark back to Greek mythology which I found interesting. The Flight of Icarus is a retelling of that myth in a style that I found unique and intriguing. I particularly liked The Legend of Black Jack Guillotine which tells of an affair that spawns a horrific legend. Another story I really liked was The Understudy which reminded me of The Phantom of the Opera.
I highly recommend New Avalon and I will definitely be looking for more from this author.… (altro)

This is a collection of short stories set in the mystical steam punk city of New Avalon. In each of these stories we meet two people who, through the vagaries of magic, weird science and high emotion, find love… and a great deal of tragedy.

And each one is pretty much beautiful. Whether it’s the old tinker who waited his whole life to meet the beloved whose life he saved (but waited just a bit too long), or the captain who’s new invention inspires the equally passionate enthusiasm of his lover… only for that same invention to bring them crashing tragically to earth. To the spy who unintentionally fell in love for her target – but now they must both feel the wrath of their employers. To the gentle kind man who knows the secrets of death who pays the ultimate price to bring his true love back only to find it go terribly terribly wrong or the frustrated woman continually performing atrocities in the desperate attempt to keep her love around…

Tragedy and love are in every story. Whether it’s love lost, a love dying or utter desperation and people pursue love to their own destruction or damnation.

And it is really beautiful, I say this again. Each story is elaborate, amazingly well written and well paced with perfectly chosen word use. It’s ornate without being excessive, evocative without being purple, emotional without being overwrought. It’s an excellently well crafted book full of very well written stories of love and grief in this city

The city (or cities… which I will get to) is also nicely presented, with each character we can picture where they are and the challenges they face and even the background on which their sagas are painted. The backdrop is very vibrant

I just… don’t really understand this book. I don’t understand it conceptually. Of course, I have to admit, again, that I do not like short stories except within a relatively narrow set of circumstances (usually when they’re an ongoing part of a series adding new light to that series or as a stand alone that tells a complete story). The short stories in this book didn’t fit either of these categories.

Each story is extremely short, telling a short complete story within a central theme. They are closed stories, none of them particularly needs developing further – but that’s because there’s not much more to tell. Not that these characters couldn’t have more development or more plots in their future, it’s just that none of it is developed sufficiently to make me invest in their stories above and beyond what is presented. More could be told about their experiences and what happens from here – but I’m happy that the story is closed because I don’t really care to go any further. This is not really an ideal way to achieve that “stand alone complete story” for me – just have one event with no suggestion that I’d be interested in anything else.

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When Roxy comes to Mal, she brings trouble. That’s ok – trouble, fighting of evil and protecting the innocent is what Mal does

There may be demons in this terrible, corrupt world – but there are also rules.

This could make a fascinating chapter in an excellent book.

We have angels and demons, monsters and corruption all displayed in really excellently artistic terms. We have hints of a world full of possibilities of redemption and damnation, temptation, fallen angels and suggestions of epic conflict. We’ve also got some other traditions peaking round the side suggesting a world that is much wider and broader than first appears.

The main character, Mal, is an excellently grizzled, hard, crusty hard boiled protagonist. It’s obvious what he is from the very beginning, but part of me always appreciates angelic forces in the guise of hard bitten, cynical, rough veterans with a huge grumpy grudge against everything (even if I do kind of picture a winged figure shaking his fist out the window yelling at demons to get off his lawn).

It’s all written in a style that you’ll either love or hate. A classic film noir, dark and full of hard boiled monologue and gloriously over the top elaborate descriptions starring some of the most dramatic metaphors possible. It’s gritty and dark and grim displaying these broken neighbourhoods and dark establishments with excellent detail and atmosphere

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