Tim KringRecensioni

1953, la CIA ha desarrollado un programa secreto llamado Ultra. El programa ha experimentado con LSD en miles de ciudadanos estadounidenses. ¿El objetivo? El control mental. La creación del agente perfecto. El mensajero del miedo. El KGB desarrolló un programa similar de control mental. Lee Harvey Oswald vivió en la URSS entre 159 y 1962. ¿Mató el LSD a JFK?
Ambientado en el crisol de la década de 1960, sólo para tus ojos es la historia de Chandler Forrestal, un hombre cuya vida cambia para siempre cuando es reclutado para un experimento de control mental orquestado por la CIA. Tras serle inyectada una dosis masiva de LSD, Chandler desarrolla unas extrañas, y aterradoras, capacidades mentales, entre ellas una percepción privilegiada que destapa un complot de asesinato al presidente Kennedy. De pronto, Chandler se convierte en blanco de todo tipo de organizaciones, tanto gubernamentales como extragubernamentales. Mientras es perseguido por agentes de la CIA, matones de la mafia, asesinos cubanos y ex científicos nazis, se siente atraído por los encantos de una bella y misteriosa mujer con un turbio pasado. En su huida, ¿podrá Chandler controlar su poder y reescribir la historia?

I refused to watch it.

An interesting idea but I found the excution VERY slow and had a difficult time caring for the main character as we didn't get to know him very well. They did do a good job protraying the atomsphere of the early cold war very well.

People begin to realize they have special powers (telekinesis, healing, flying, time travel, invisibility, etc.) all over the United States. One individual named Sylar wants to gather all of the powers from targeted "heroes" in order to become the most powerful human of all. He will stop at nothing to meet his goal even if it means killing these people which brings the "heroes" together to help each other while also dealing with personal problems of their own.

Shift is the first of Tim Kring’s Orpheus trilogy: a blend of science fiction, fantasy and plain old spy story, it is based on the CIA’s Ultra programme, in which they experimented with LSD during the Cold War.

Inspired by The Manchurian Candidate, the Agency hoped to perfect a mind control drug. In this story, they succeed: it is 1963, and Chandler Forrestal can both read and manipulate minds.

The book contains cameos of historical characters like Lee Harvey Oswald, J Edgar Hoover and Mafia don Sam Giancana and explains their part in the assassination of JF Kennedy.½

I received this from Read it forward and thought it was o.k. The story jumped around a bit, for the most part was really confusing. I do like the premise of the book and the characters are great. The author is very humorous and I like his style, although I would not rush out to buy his latest novel. All in all, a good read if you receive an Advanced Reader's Copy like I did.

I love the premise for this story. Set in the 1960s, the plot revolves around LSD and mind control experiments, along the lines of MK-Ultra experiments done by the CIA. The writing is great, as far as the author's phrasing and technique. However, for me, the story is all over the place. At times, I felt like I was the one on acid! I was a third of the way into the book before the characters even began to link together enough so that the story made sense. There were too many characters jumping around in too many places. I had to work to follow the plot line and that made it impossible for me to get lost in the story.

** I received a review copy from the publisher through NetGalley.com. **

This science fiction/thriller novel takes place in the decade of the 1960s, with a focus on the assassination of John Fitzgerald Kennedy. The decade has lost its distinction over the years because the descriptions in media, film, and fiction have lost their edge due to careless use of words. I remember it as a time of great inexplicable anxiety on many levels. The fear provoking events were so disjointed in expectation and time that recollections of our activities as individuals and society during the period could resemble the hallucinogenic trips described in the book.

Tim Kring and Dale Peck have created a psychedelic screen play that is disturbing, familiar, and unwanted like a flashback from a not too pleasant acid trip. The story, written in short declarative sentences with lots of dialogue, involves an international cast of characters readers really do not want to know but are forced to care about. The action filled narrative includes murder and intrigue with references to Lee Harvey Oswald, Jack Ruby, JFK, and many other early 1960s historical figures.

The hook is the idea of the gate of Orpheus with the mythical lyre replaced by lysergic acid diethylamide. The chemical, like Orpheus's lyre, opens the gate of loss and remorse and allows entrance into unlimited time for understanding, redemption, and resurrection. At high doses of the drug, some people can enter the minds of others and use the secrets to not only control them but, like a nuclear bomb, unleash supernatural power that can be used for good or evil. This reminds me of psychedelic posters for rock bands at the Avalon Ballroom in San Francisco that read, "May the baby Jesus shut your mouth and open your mind." In this way, the Manchurian Candidate idea is connected to the assassination of JFK.

I enjoyed the novel, especially the mention of the philosophy of William Blake as a foundation for apprehending the apparent chaos of the 1960s and the severing by a bullet of the last strand of our society's illusion of absolute rationality. I recommend that you read this novel and try to hold on to whatever you believe about yourself and the 1960s as a foothold on reality. But like Orpheus who used his lyre to gain entrance from the world of the living to Hades to retrieve his dead wife Eurydice, trust your equanimity when you read Shift, just don't look back.