Tamara Jenkins (1)Recensioni

Two siblings Jon and Wendy Savage have spent their adult years trying to recover from the abuse of their abusive father. Suddenly, a call comes in that his girlfriend has died, he cannot care for himself with his dementia and her family is dumping him on his children. Despite the fact Jon and Wendy have not spoken to Lenny for twenty years and he is even more loathsome than ever, the Savage siblings feel obliged to take care of him. Now together, brother and sister must come to terms with the new and painful responsibilities with their father now affecting their lives even as they struggle with their own personal demons Lenny helped create.

Dos hermanos, Wendy y Jon, que no se han visto durante años, se ven obligados a convivir de nuevo para cuidar de su padre enfermo, con el que no se hablaban desde hacía veinte años.

It's rare for an artist barely over 40 to get his or her own catalogue of "small" paintings, let alone the large ones. And that the accompanying essay is by Slums of Beverly Hills writer-director Jenkins (rather than an art historian) testifies to name recognition beyond the art world. What Yuskavage is famous for is her paintings of young white women with exaggeratedly shaped and sized breasts, in various stages and poses of self-examination. As Jenkins writes, "[i]n this strange psychosexual universe, female figures stand alone, baring their breasts in fields of peachy pink, lemon yellow or minty blue." The paintings have struck a chord in a youth, size- and celebrity-enhancement–obsessed culture comparable only to the success of grim portraitist John Currin. Many of the 140 full-color illustrations are full-size reproductions, allowing a chilling intimacy with the work's exploration of narcissism, self-doubt and blank, inarticulate desire.