Jon Hopkins (2)
Autore di The Princes of Albion (The Long-Aimed Blow)
Per altri autori con il nome Jon Hopkins, vedi la pagina di disambiguazione.
Opere di Jon Hopkins
Etichette
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.
The story begins in 10 AD on the streets of Rome and continues throughout the years of Caradoc’s life. The Hopkins present a believable explanation of the fierce hate that Caradoc harbors towards Rome. The time represented is barbaric — human sacrifice, physical abuse, slavery — yet the hearts of men are not much different in our own civilized day. One character stands out. Alexenah is the slave-wife of Caradoc and the mother of the two princes, Jachin and Boaz. She begins the story as a young Jewish woman living freely in Rome, until treachery places her in the slave market. Her faith in God and His promise of a Deliverer keep the story from being completely brutal. I have to admit I had trouble at first with the names of the characters. Although the authors very helpfully include a pronunciation guide along with their who’s who, I still struggled. That is the fault of the character’s parents, not the authors, since many of the characters are historical and those were actually their real names! I also winced a bit (or a lot, depending on the scene) at the merciless treatment of men and women at the time. Most Christian fiction isn’t so graphic. Although, I am sure the authors were restrained in their depiction — it probably could have been a lot worse.
A different kind of story than readers usually encounter in the Christian fiction market, The Princes of Albion, is unabashedly realistic in its portrayal of life in first century Britain. This is a story that may appeal to those looking for gritty realism.
Audience: adults.
(Thanks to the authors for a complimentary copy. All opinions expressed are mine alone.)… (altro)