Mark Hamill

Acquistato e letto dopo aver visto l'omonimo film (molto consigliato!), il libro mi ha coinvolto un po' meno di quanto sperassi. L'universo fantastico creato dai due autori conserva un pizzico di originalità, pur nel recupero di creature dalla tradizione fantastica anglosassone, il problema non è questo. Il fatto è che per tutto il tempo non si percepisce mai una vera sensazione di pericolo. Anche nelle situazioni piú drammatiche si sente sempre che tutto finirà per il meglio e che nessuno si farà male. Colpa probabilmente del target di lettori giovanissimi a cui il libro si rivolge. Va be', colpa mia che sono vecchio.
Un plauso speciale per le illustrazioni che insaporiscono non poco la storia e per l'edizione in volume unico che raccoglie la saga completa.

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Precedente: [b:A cosa serve la politica?|13321068|A cosa serve la politica?|Piero Angela|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1327856720l/13321068._SY75_.jpg|18527577]
Successivo: [b:La scuola del p(l)of. Dizionario satirico dell'istruzione superiore italiana|102919667|La scuola del p(l)of. Dizionario satirico dell'istruzione superiore italiana|unknown author|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1679030620l/102919667._SX50_.jpg|126281659]… (altro)

I’m not going to spend much time talking about the adventures of Simon, Jared and Mallory on the Spiderwick Estate as a million other people have reviewed it before me and it’s been a major film, so most of you will know the story.

In summary then, this is a fantasy aimed at children in which a magical realm we cannot see exists within our reality. You can spot the fairy and goblin creatures only if you peer through a hole in a stone or if a hob-goblin spits in your eye, draping you with not only magical goblin saliva but also the blessed power of seeing things which don’t fit in our reality. The film Epic presented a similar scenario, a magical realm you could only see after a scale and temporal adjustment. The “blessed with elvish sight” thing was Middle Ages code for being mentally handicapped, which is a less pleasant side to what could be a lovely thought.

There’s an old house, broken relationships, a family mystery, a hidden room, something living in the walls and a magical guide book – all the standard stuff of fantasy. A healing ceremony of some kind is needed and that’s what the story is there to provide. There isn’t a David Bowie figure to whisk them off, the King Goblin being an actual goblin this time, but otherwise it is a wade into regular goblin-realm escapism.

The children have recently relocated, so don’t fit in at school and are edging off the rails. This is also classic, just as there has never been a poltergeist report ever that coincidentally didn’t have an adolescent child living under the same roof. Do the maths.

After a series of adventures and escapes, which develop the fairy world, introduce its denizens with their various uses or weaknesses and integrates that with not fitting in at school, well… you’ll have to read the book (a compilation of the series) and see.

This story might feel wonderful and special to a child who hasn’t read widely but when someone outside that age range reads it, the magical glamour has long departed and it seems okay but isn’t legendary.… (altro)

I read this book to my eldest son (and am also reading it a 2nd time to my youngest son), after having watched the movie. There are 5 books in here, all put together, and this particular version is illustrated so the reader is really able to envisage the characters.

The story in the book deviates a great deal from the film, which I do prefer, and it became much deeper and in some places darker than the film. It is well written, although I felt the division of the books interrupted the flow of the story. And I felt some individual books, if standing alone, wouldn't have been very satisfactory a read, as they didn't each contain a full story.

But overall a very enjoyable read, with some great characters and gripping scenes.… (altro)