Sull'Autore
Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.
Opere di Elaine K. Gazda
Roman art in the private sphere : new perspectives on the architecture and decor of the domus, villa, and insula (1991) — A cura di — 11 copie
Leisure and Luxury in the Age of Nero: The Villas of Oplontis Near Pompeii (Kelsey Museum Publication) (2016) 10 copie
Karanis, an Egyptian town in Roman times : discoveries of the University of Michigan expedition to Egypt (1924-1935) (1983) 7 copie
Opere correlate
Cultural Messages in the Graeco-Roman World: Acta of the BABESCH 80th Anniversary Workshop Radboud University Nijmegen,… (2010) — Collaboratore — 1 copia
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- Opere
- 13
- Opere correlate
- 3
- Utenti
- 51
- Popolarità
- #311,767
- Voto
- 3.8
- Recensioni
- 1
- ISBN
- 8
The Villa of the Mysteries is on the outskirts of Pompeii, and was a relatively late archaeological find, coming to light only in 1909. The impressive paintings on the walls of Room V have a hieratic quality and appear to be related to some sort of mystery cult. A conspicuous central figure is evidently Bacchus (a.k.a. Liber or Dionysus), although the female figure with whom he is paired has been partly effaced, and there is little agreement on whether she is meant to represent Semele, Ariadne, Aphrodite/Venus, or even an initiand of the rite being depicted. Several of the papers in this collection are concerned to supply a more focused historical context in first century B.C.E. Campania for the interpretation of the ancient images. Others are concerned to enter the discussion about the actual function of Room V within the Villa. There are also studies of women's roles in classical mystery cults, imitation and artistic originality in the frescoes, and the modern reception of these works.
Most useful to me were a set of three papers treating the general state of knowledge regarding the ancient Roman cults of Bacchus. Especially informative was Elizabeth de Grummond's "Bacchic Imagery and Cult Practice in Roman Italy," which uses archaeological and art historical resources in efforts to understand the operation of the ancient religion. De Grummond reproduces a table of titles taken from a roster of over three hundred cult personnel engraved into a plinth at the Metropolitan Museum of Art, which I found quite illuminating.
I'm sure I would have enjoyed the actual exhibit immensely, but I probably learned more by means of my relatively quick read of this volume.… (altro)