Immagine dell'autore.

Olivier Revault d'Allonnes (1923–2009)

Autore di Musical variations on Jewish thought

6 opere 22 membri 1 recensione

Sull'Autore

Opere di Olivier Revault d'Allonnes

Etichette

Informazioni generali

Nome canonico
Revault d'Allonnes, Olivier
Nome legale
Revault d'Allonnes, Olivier
Altri nomi
Allonnes, Olivier d'
Data di nascita
1923-07-30
Data di morte
2009-03-06
Nazionalità
France
Nazione (per mappa)
France
Luogo di nascita
Paris, France
Luogo di morte
Tréguier, Côte d'Armor, Bretagne, France
Istruzione
Université Panthéon-Sorbonne (Doctorat, Philosophie, Thèse 'La Création artistique et les promesses de la liberté', 1972)
Agrégation de philosophie (1948)
Attività lavorative
Professeur (Philosophie)
philosopher
cultural historian
Relazioni
Souriau, Etienne (Directeur de thèse)
Revault d'Allonnes, Gabriel (Père)
Psichari, Henriette (Mère)
Revault d'Allonnes, Maxence (Fils)
Revault d'Allonnes, Myriam (Belle fille)
Revault d'Allonnes, Fabrice (Fils) (mostra tutto 10)
Revault d'Allonnes, David (Petit-fils)
Châtelet, François (Proche)
Renan, Ernest (Arrière grand-père)
Revault d'Allonnes, Daniel (grand-fils)
Organizzazioni
Université Panthéon-Sorbonne (Maître de conférences puis professeur, 1972l1989)
Revue d'esthétique (Directeur)
Premi e riconoscimenti
Médaille de la Résistance
Breve biografia
Olivier Revault d'Allonnes was born in Paris. His parents were Gabriel Charles Revault d'Allonnes, a well-known psychologist, and his wife Henriette Psichari, femme des lettres. After passing the agrégation in philosophy, he obtained a doctoral degree in 1972 and became a lecturer, then professor, at the Université de Paris-I (Panthéon-Sorbonne). His thesis, The Aesthetic Creation and the Promises of Freedom, was published in 1973. He was the long-time director of the Revue d'esthétique (Journal of Esthetics) and played an important role in the recognition in France of the Frankfurt School, especially of the work of Theodor Adorno.

He was the author of books on music, including Musical Variations on Jewish Thought (1979), Pleasure of Beethoven (1982), and Loving Schoenberg (1992), and also produced critical editions of the writings of painters Eugène Delacroix, Maurice Denis and Francis Picabia.

Utenti

Recensioni

I love the title. It's been awhile since I read this. What I remember is that the author says that, just as music can only exist in time, Judaism is time-based, not place-based. Our beginning/center of the world/origin (think Cartesian coordinates) is not a location, say the Temple in Jerusalem, but Creation.
 
Segnalato
raizel | Dec 31, 2021 |

Statistiche

Opere
6
Utenti
22
Popolarità
#553,378
Voto
4.0
Recensioni
1
ISBN
5
Lingue
2