Allen Andrews (1)Recensioni

long-distance motor racing

Set in 13th Century France, Plantagenet the Pig is a very kind and considerate animal, but may be lacking in brains. He has a rather easy life in a farmstead carved out of the forest, and is doted on by Adele, the farmer's lovely daughter. His ability to run very fast keeps him in touch with the animals of the forest, and makes him lean enough to keep him off the menu.

Word quickly spreads throughout the forest of a plan by the feudal lords to systematically go through the forest, and herd all the animals toward a specific spot. Killer dogs will be waiting for them, to kill them. The humans are getting tired of losing animals to the forest inhabitants. Contact is made with animal residents of a nearby forest, who agree to take in the animals that are on the move. The big problem is that there is a clear space between forests, where an attack by humans and dogs, against the animals, is expected. Plantagenet is appointed leader of the animal exodus, and takes his job seriously.

The mass migration is underway before the human forest sweep begins. Plantagenet is in the lead, with Grondin the boar and Hurlaud the wolf keeping everyone in line, and watching for the expected attack by the dogs and humans. It happens in the clear space between forests. There are many animal casualties, on both sides. Plantagenet is not unscathed. The animals make it to the other forest, to rest and lick their wounds. Is there any chance of going back to their old forest? Will Plantagenet ever see his old pig sty, and Adele, ever again?

This is a very good story. It's a well done allegory about forest conservation and teens will enjoy it (the battle scene might be too much for younger children). Adults will also like it.

A sequel to The Pig Plantagenet, this tale, set in 13th century France, is--of course--also an animal fable, though again with plenty of human interaction. It, too, is light in that delicate way that generates charm rather than fragility, and it is leavened with a droll, down-to-earth attitude. It continues its predecessor's pleasant mix of the humorous and the profound, never either frothy or turgid. Just more awfully good fun to read.

Set in 13th century France, this is a sort of animal fable, though with plenty of human interaction. It is light in that delicate way that generates charm rtaher than fragility, and it is leavened with a droll, down-to-earth attitude. It is a pleasant mix of the humorous and the profound, but never either frothy or turgid. Just awfully good fun to read (as is its sequel, Cattle Crespin).

Literate biography that is strong on anecdote and the reminiscence of friends but places undue emphasis on the role of Matha Lowry (no relation) and disregards the avuncular relationships that he had with women before the 1950s. Although the author captures Lowry's mischief and his secrecy there is little mention of his greater deceptions — possibly because the biographer was too excited about revealing Lowry's previously concealed work as a rent collector. Allen also perpetuates James Fitton's absurd contention that Lowry could not draw: a claim destroyed by life drawings nw displayed in the Lowry Centre at Salford.