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The Jesus Man

di Christos Tsiolkas

UtentiRecensioniPopolaritàMedia votiCitazioni
852319,071 (3.09)1
"The second novel from the author of the bestselling Loadedand The SlapThe Jesus Man tells the story of three brothers, Dominic, Tommy and Louie, who come from a Greek-Italian family haunted by its history. When Tommy is made redundant from work and can't find another job, he finds the voices in his head becoming louder and louder as he sinks inexorably into pornography, violence and madness. Tommy snaps and murders someone who may or may not be a serial sex killer of children, and then castrates and kills himself, leaving his family numb with grief and incomprehension and at the mercy of the ensuing media feeding frenzy. The Jesus Manis told from the point of view of Louie, the youngest brother, who is struggling to make sense of Tommy's death and the kind of world in which such tragedies are commonplace. Written with the remorseless, page-turning urgency of a thriller, The Jesus Manis an uncompromising and timely examination of the hell that is life for many people; a soulless void in which pornography takes the place of love, television the place of human contact and where individual worth has been superseded by economic… (altro)
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I’ve read two Tsiolkas books now, and the trend is for them to end with an unprepossessing young homosexual male giving his opinions on his world, that being a very dull place indeed. In the case of The Slap it’s fair enough. The book is orchestrated so that something he does becomes the logical end. But here? There seem to be two books here. The one Tsiolkas wants to write about (so it seems) himself, and the other. The good book. I use those words advisedly.

We begin with the former, but the good book starts fairly early on and is an utterly engrossing account of the downfall of Tommy. What a pitiable fuck he is, searching incessantly for a safety which constantly eludes him. He finds it only for moments at a time. In his girl friend. Listening to music. Escaping into the TV. The ritual and revulsion of porn. However repulsive Tommy becomes during his descent, we never stop feeling sympathy. We want him to survive. To our shock, however, suddenly, with a lot of the book to go – you know this because you flick to the end to check – he checks out.

rest here: https://alittleteaalittlechat.wordpress.com/2018/09/28/the-jesus-man-by-christos...
  bringbackbooks | Jun 16, 2020 |
I’ve read two Tsiolkas books now, and the trend is for them to end with an unprepossessing young homosexual male giving his opinions on his world, that being a very dull place indeed. In the case of The Slap it’s fair enough. The book is orchestrated so that something he does becomes the logical end. But here? There seem to be two books here. The one Tsiolkas wants to write about (so it seems) himself, and the other. The good book. I use those words advisedly.

We begin with the former, but the good book starts fairly early on and is an utterly engrossing account of the downfall of Tommy. What a pitiable fuck he is, searching incessantly for a safety which constantly eludes him. He finds it only for moments at a time. In his girl friend. Listening to music. Escaping into the TV. The ritual and revulsion of porn. However repulsive Tommy becomes during his descent, we never stop feeling sympathy. We want him to survive. To our shock, however, suddenly, with a lot of the book to go – you know this because you flick to the end to check – he checks out.

rest here: https://alittleteaalittlechat.wordpress.com/2018/09/28/the-jesus-man-by-christos...
  bringbackbooks | Jun 16, 2020 |
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"The second novel from the author of the bestselling Loadedand The SlapThe Jesus Man tells the story of three brothers, Dominic, Tommy and Louie, who come from a Greek-Italian family haunted by its history. When Tommy is made redundant from work and can't find another job, he finds the voices in his head becoming louder and louder as he sinks inexorably into pornography, violence and madness. Tommy snaps and murders someone who may or may not be a serial sex killer of children, and then castrates and kills himself, leaving his family numb with grief and incomprehension and at the mercy of the ensuing media feeding frenzy. The Jesus Manis told from the point of view of Louie, the youngest brother, who is struggling to make sense of Tommy's death and the kind of world in which such tragedies are commonplace. Written with the remorseless, page-turning urgency of a thriller, The Jesus Manis an uncompromising and timely examination of the hell that is life for many people; a soulless void in which pornography takes the place of love, television the place of human contact and where individual worth has been superseded by economic

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