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Sto caricando le informazioni... National Music and Other Essays (Oxford Paperbacks)di Ralph Vaughan Williams
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Ralph Vaughan Williams is one of the greatest English composers. He studied under such teachers as Parry, Charles Wood, and Alan Gray, and later in Germany with Max Bruch and in France with Ravel, developing a strongly individual style that marked him out, with Holst and others, as one of theleaders of the twentieth-century revival of English music.He never hesitated to express his views in plain, vigorous prose, and he became well-known for his essays which combine typical common sense with a true composer's sensitivity. This collection contains all his writings that he thought worth preserving in book form.The themes and subjects discussed in these essays reflect his wide range of interests and cover such topics as nationalism in music, the evolution of folk-song, and the origins of music, as well as pieces on individual composers such as Beethoven, Gustav Holst, Bach, Sibelius, Arnold Bax, andElgar. Also included are more general reflections of the making of music, its purpose and effects, and the social foundations of music. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)780.9The arts Music Music Biography And HistoryClassificazione LCVotoMedia:
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These writings are among the most fascinating left us by a twentieth-century composer, for they tell us so much about the composer through his enthusiasms and his prejudices. Some of them may now provoke a wry smile. Dufay and Dunstable merely historical curiosities? That this would change would have astonished musicians in 1932 as much as the thought that Mahler and Bruckner would be in the regular repertoire of British orchestras. His views on playing Bach on the piano seemed only 10 years after his death to be unbelievably antiquated and laughable; already they are finding sympathetic echoes again. The pendulum swings relentlessly. The tributes to his friends, Holst, Butterworth, Gurney, Henry Wood, and others recall to us Vaughan Williams's own generous and intensely human personality. How moving it is, too, to read his lament for the poetry that went out of music when the valveless horn was replaced. One hears the voice of Vaughan Williams himself in his writing as clearly and unmistakably as in his music.