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Sto caricando le informazioni... Pamela, Volume One (Everyman's Library)di Samuel Richardson
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Appartiene alle Collane EditorialiEveryman's Library (683)
Based on actual events, Pamela is the story of a young girl who goes to work in a private residence and finds herself pursued by her employer's son, described as a "gentleman of free principles." Unfolding through letters, the novel depicts with much feeling Pamela's struggles to decide how to respond to her would-be seducer and to determine her place in society. Samuel Richardson (1689-1761), a prominent London printer, is considered by many the father of the English novel, and Pamela the first modern novel. Following its hugely successful publication in 1740, it went on to become one of the most influential books in literary history, setting the course for the novel for the next century and beyond. Pamela reflects changing social roles in the late seventeenth and early eighteenth centuries, as a rising middle class offered women more choices and as traditional master-servant relationships underwent change. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)823.5Literature English English fiction Queen Anne 1702-45Classificazione LCVotoMedia:
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There is a second volume that I gather continues describing the new life Pamela finds in the course of this novel, but the introduction for this edition written in 1914 by George Saintsbury says: "He [Richardson] had better not have done it", so I think I'll leave well enough alone.
And to be honest, the first half of this first volume was much better than the second half.
The story starts out with a gripping plot, a fast pace, excellent writing. I flew through the pages, wanting more, more, more. These are the pages where all the drama is.
Some of the themes have a modern feel to their presentation.
Begin Spoiler:
Sexual harassment dynamics haven't changed over the centuries, that's clear. Pamela faces the same 'choices' any modern woman faces when the head of the company decides he likes her pretty face and won't take no for an answer.
The difference between modern woman and Pamela is that modern woman can press charges at the local police office whereas Pamela can't.
Help from her colleagues then? Nope. Some don't believe her, some look the other way, some say he didn't mean to do so, and some are on his side.
Pamela next finds herself Mr. B's captive in his second house. She is guarded by an evil Mrs. Jewkes. Mr. B. waits patiently at his Bedfordshire estate till Pamela gives in to his wishes.
At this point I believed Mr. B. to be something of a psychopath.
And was sure his patience wouldn't last long, which indeed it doesn't. He decides to pay a visit to hasten Pamela's downfall.
But lo and behold, the beast seems to have emotions, and turns kind and decent all of a sudden.
And even though Pamela refuses the very generous 'mistress contract', he continues to be so.
Pamela even starts to like him, which did not surprise me since she was after all set up perfectly to start suffering Stockholm Syndrome, and she is overjoyed when the squire finally proposes marriage for real.
The explanation given for the squire's bad behavior is that he was set no limits as a child, he was spoiled and never learned to brook refusal. Power corrupts then, unless your name is Pamela and you have had Mr. and Mrs. Andrews as your parents, teaching you the power of goodness and virtue.
End spoiler
The second half of the book is a beautiful study of goodness, virtue, remorse, redemption and how they may affect your day to day life. Also very nice, but not what a modern reader would expect as a nice climax to an exciting tale. ( )