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Histories of a Plague Year: The Social and the Imaginary in Baroque Florence (Studies on the History of Society and Culture)

di Giulia Calvi

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Since 1945, historians have quite successfully uncovered what everyday life was like for the popular classes of pre-industrial Europe. How these people made sense of their lives, however, has proven to be more elusive. By focusing on the plague of 1630-33 in the city of Florence, Calvi presents an innovative approach to understanding how Florentines constructed a multitude of discourses designed to instill meaning and order in their tumultuous social universe. Rich archival sources provide Calvi with a unique opportunity to portray the minute contours of Baroque daily life. Her interdisciplinary approach, drawn most heavily from cultural anthropology and semiotics, enables her to decode the many layers of narrative invented by individuals who sought to understand why and how the plague was spread. In this important contribution to the study of both early modern Italy and the history of mentalit#65533;s, Calvi affirms the methodological and analytical fruitfulness of the new school of microhistory.… (altro)
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While the bubonic plague that came to Florence in 1630-31 wasn’t quite as deadly as the second European pandemic of the plague in 1347, it still killed between 20 and 60 percent of those infected.

Florence was prepared for the return of the plague. It never really left Europe since 1347.

They formed the Florentine Public Health. When plague hit the city, Public Health initiated a series of laws regarding entry to the city, identification of infected people, isolating them, treating them, and, all too often, burying them.

What could be the problem? It seems so sensible – apart from the fact that doctors, barber-surgeons, and herbalists had no clue what caused the disease.

The problem, as with all government policies, was those pesky details.

Being identified as infected meant being taken away to the lazaret – even if you were a pregnant woman – or locked in your house with Public Health Officials blocking the entrances up and dropping off food.

People didn’t live alone much, of course, so there were effects on families. Sometimes infections were hid or diagnosing doctors bribed or the neighborhood guards evaded.

And, since many people had businesses in their home, this meant incomes were deprived.

The materials used in the business – goods and equipment – were suddenly inaccessible.

Numerous schemes, crimes under Florentine law, were used to get around this. Infections were concealed or only reported only after uninfected family members and apprentices could be relocated. Sometimes uninfected family members or masters broke into houses locked by Public Health authority to tend to their sick members of their family or apprentices.

A lot of times infected houses were broken into to steal property. Of the over three hundred Florentine trials Calvi read, most are for theft. There was a big incentive for theft. The possessions of the infected officially became Public Health property. Unless it was of high value – precious metals or expensive textiles – it was to be burned.

So citizens broke into steal property they held was their family’s. Not just personal items but business equipment. Sometimes the thefts would be done by a member of a guild who wanted to preserve a fellow guild member’s property from being seized.

And a lot of thefts were by men who didn’t want their brother-in-laws to get property, property their wife brought to a marriage and her family wanted back after her infection or death.

And the death of a plague victim didn’t end problems. Plague deaths got buried without the usual rituals in common ground. What if you wanted something more dignified for your deceased family mother? Bribe a doctor for the right death certificate.

And the gravediggers were affected. The usual custom was to pay gravediggers out of the possessions of the deceased, typically clothes. If the deceased died of plague, that sort of payment wasn’t forthcoming.

Unfortunately, while this is interesting, the book is rather dull. You have to extract what I summarized (assuming I didn’t miss something skimming it again). There is, unhappily, much talk of the symbolic and theatrical aspect of all this rather than Calvi just dedicating herself to a more transparent narrative. You have to really be interested in Florence or the plague to read this book. And the latter part of the book is how this all played into canonization proceedings for Florentine Domenica da Paradiso. ( )
  RandyStafford | Sep 20, 2020 |
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Since 1945, historians have quite successfully uncovered what everyday life was like for the popular classes of pre-industrial Europe. How these people made sense of their lives, however, has proven to be more elusive. By focusing on the plague of 1630-33 in the city of Florence, Calvi presents an innovative approach to understanding how Florentines constructed a multitude of discourses designed to instill meaning and order in their tumultuous social universe. Rich archival sources provide Calvi with a unique opportunity to portray the minute contours of Baroque daily life. Her interdisciplinary approach, drawn most heavily from cultural anthropology and semiotics, enables her to decode the many layers of narrative invented by individuals who sought to understand why and how the plague was spread. In this important contribution to the study of both early modern Italy and the history of mentalit#65533;s, Calvi affirms the methodological and analytical fruitfulness of the new school of microhistory.

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