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Sto caricando le informazioni... I rimpiantidi Joachim du Bellay
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"As a member of the mid-sixteenth-century literary group the Pleiade, Joachim du Bellay sought to elevate his native French to the level of the classical languages - a goal pursued with great spirit, elegance, irony, and wit in the poems of The Regrets. Widely viewed as one of the finest sonnet sequences in all of French literature, this Renaissance masterpiece wryly echoes the homesickness and longing of Ovid's poetry written in exile - because du Bellay finds himself lost in Rome, the very home Ovid longed for. In this translation by David R. Slavitt, these poems retain their original formal playfulness as well as their gracefully rendered but nonetheless moving melancholy. In decadent Rome, among hypocrites, thieves, and snobs, du Bellay uses his poetry as an opportunity for social satire and caustic self-criticism; it becomes a salvation of sorts, an approach peculiarly modern in its blending of the classical, the social, and the personal."-- Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)841.3Literature French and related languages French poetry Renaissance 1500–1600Classificazione LCVotoMedia:
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07/05/2017 · Joachim du Bellay (1522 – 1560), avec les autres poètes du mouvement de La Pléiade, veut imiter les formes italiennes de Pétrarque (le sonnet) et fait un effort pour enrichir la langue française. Dans Les Regrets, Du Bellay n’hésite pas à exprimer ses sentiments personnels, dans des élans lyriques qui disent la douleur de l’éloignement avec sa mère patrie. Il y fait en outre la satire de la société romaine où il réside alors.