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Mean Little deaf Queer: A Memoir

di Terry Lynn Galloway

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22417121,390 (3.49)18
In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.… (altro)
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The life and mostly-lesbian loves of a woman who became (small-d) deaf at the age of nine are explored in this wry, David-Sedaris-like memoir.

Author Terry Galloway was born in post-WWII Germany; her father was a Cold-War era American spy. Galloway inherited his ability to act as if she were someone else. Despite her difficulties with hearing (even with hearing aids) and enunciation, Galloway devotes her life to theater, where she makes a fulfilling, if sometimes impoverished, life for herself. She also finds true love and some measure of mental stability, despite some severe episodes of dissociation and depression. As other readers have commented, the first half of the book is more engaging than the second. Still, I recommend this book. ( )
  akblanchard | Sep 30, 2023 |
I liked this book. I wanted to like it more. It's a good read, particularly the first 1/3 which focuses on Galloway's childhood. Her experiences are rich and unique and her storytelling especially strong in the beginning. And it may be that theater (her great passion) is difficult to translate to the page, or that it's not as engaging as she, herself is. There are awkward overlaps with some of the stories, so that you get one impression of a certain time in her life, only to have the next story shift that perception with conflicting information. Still, I would recommend Mean Little Deaf Queer for it's unique perspective, some honestly brilliant writing about disability and a final chapter which made me weep. ( )
  laurustina | Jan 14, 2015 |
Autobiographical story of Terry Galloway, who at the age of eight starts to loose the ability to hear. Galloway writes about living in a silent, odd world populated by unforgettable characters. With the story being one on a disabeled queer one expects it to be a sad one, however it's hilarious and leaves me so happy. ( )
  Lisu | Sep 13, 2011 |
Questa recensione è stata scritta per Recensori in anteprima di LibraryThing.
Sometimes it helps to delve into other people's lives in order to appreciate your own. I appreciated the peek into Galloway's life and appreciate her perserverence. A rocky read overall, as I found the last half of the book tougher to get through, more tediouos, and found myself skimming over sections.
  GirlMisanthrope | Dec 2, 2009 |
Questa recensione è stata scritta per Recensori in anteprima di LibraryThing.
Galloway's memoir is unique and has some really interesting and humorous moments but overall it didn't hold my attention and I struggled to finish the book. ( )
  spurnell | Nov 23, 2009 |
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This work is by queer activist/performance artist Terry Lynn Galloway. Do not confuse with Terry R. Galloway, engineer and expert on solar energy use in homes.
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In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.

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