Ansay seems to have initially intended to write a fictionalized treatment of the much studied and wondered about set of relationships between three important figures in 19th century classical music, Clara and Robert Schumann and Johannes Brahms. Particularly, the very close relationship between Clara and Brahms (were they lovers or not?) seems rich in possibility for a historical novel, raising issues of desire, madness, ambition, and genius.

The story of the Schumanns and Brahms is told close to the established historical record at first, complete with references to Ansay's research sources. This is done just fine, and when Ansay later extends the story with her imaginings of scenes that occurred between them, the story really works quite well.

Unfortunately Ansay chose to combine that story with the story of a modern day novelist and professor of literature who is researching a historical novel about the Schumanns and Brahms while having her own relationship of uncertain intentions with a German man. This apparent indulging of authorial ego weakens the book, inserting a pale shadow of the Clara/Johannes relationship that does not have the space to be fleshed out satisfactorily.


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Another one of those novels which draw a parallel between the experiences of the contemporary characters and the experiences of the historical characters in which they are interested; in this case, about which one of the characters is writing. I'm not fond of this literary tool. It always seems very affected to me, and far too "pat." In this case, the problem is mitigated somewhat by the fact that Clara Schumann is one of those fascinating historical characters about whom I really enjoy reading. Sadly, this book doesn't go far toward feeding that hunger for information. The "history" is necessarily speculative but is constantly apologizing for providing the reader what he/she should have expected---a work of fiction based on the life of a historical character. It's quite a muddle. ( )

Before reading this book, I did not know anything about Clara Schumann and her (love)life, which is a pinnacle this story revolves around. The other main character is a single mother, writing a book about Clara. I think the concept of the book is good, but the characters failed to grip me. It's not a bad novel, but not one I will reread again. ( )

I usually love this authoor's work but found the interspersed stories hard to follow. But as always, some beautiful writing. Could be my mood but reluctantly decided not to finish given my groaning shelves. ( )

If you are interested in music history and a little romanc mixed together this is the book for you. This story begins with an author trying to write the histrorical relationship between Clara Shumann and Johannes Brahams and ends up living a parralell love in the process. I delightful romance, a very fast, easy read. ( )