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Sto caricando le informazioni... Doctor Who: The War Machinesdi Ian Stuart Black
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Michael Cochrane reads this novelisation of a classic TV adventure featuring the First Doctor.The TARDIS materialises outside the Post Office Tower in London, 1966. The Doctor senses a powerful and evil force, which he and the ever-curious Dodo track down to scientist Professor Brett and WOTAN, his revolutionary new computer.Designed as a universal problem solver, WOTAN has suddenly begun to think for itself and has formulated a deadly plan. Using its phenomenal power it will programme humans to build mobile fighting computers, and with these indestructible war machines WOTAN will take over the world. With the help of Dodo, Sir Charles Summers, and new friends Ben and Polly, the Doctor must find a way to prevent a global catastrophe.Michael Cochrane, who has played several roles in the BBC TV series, reads Ian Stuart Black's novelisation of his original 1966 serial starring William Hartnell as the Doctor.Duration: 4 hours approx.(P) & (c) 2018 BBC Worldwide Ltd t/as BBC StudiosNovelisation copyright (c) Ian Stuart Black1988Original script copyright (c) Ian Stuart Black 1966Reading produced by Neil GardnerRecorded at Ladbroke Audio LtdSound design by Simon Power for Meon Productions - www.meonsound.comExecutive producer: Michael StevensTARDIS sound effect composed by Brian HodgsonCover illustration by Alister Pearson Non sono state trovate descrizioni di biblioteche |
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 Google Books — Sto caricando le informazioni...GeneriSistema Decimale Melvil (DDC)813Literature English (North America) American fictionClassificazione LCVotoMedia: (3.21)
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Ian Stuart Black played around a bit here with the plot of The War Machines, and it is generally to the book's benefit. Whereas in the TV version, the Doctor rather incongruously walks straight into the heart of the British scientific establishment and is accepted immediately, here he engages in a combination of forging letters of introduction and invoking Ian Chesterton, now, we are told, a senior scientist (he must have achieved that pretty quickly in the year since the end of The Chase, but let that pass). Also the War Machines themselves, liberated from the clunky restrictions of television production, come across as distinctly more menacing. One feels that this is what Black really wanted the TV show to be like, and since in most cases he sticks fairly close to the script (including the Doctor's closing rant). (