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The Last of the Angels: A Modern Iraqi Novel (1992)

di Fadhil al-Azzawi

Altri autori: Vedi la sezione altri autori.

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352702,008 (2.5)12
Set in the northern Iraqi city of Kirkuk during the 1950s, The Last of the Angels tells the slyly humorous tale of three strikingly different people in one small neighborhood. During a labor strike against the British-run Iraq Petroleum Company, Hameed Nylon becomes a labor organizer and later a revolutionary, like his hero, Mao Tse-Tung. His brother-in-law, the sheep butcher Khidir Musa, travels to the Soviet Union to find his long-lost brothers, and returns home to great acclaim (and personal fortune) in an airship. Meanwhile, a young boy named Burhan Abdullah discovers an old chest in the attic of his family's house that lets him talk to angels. By turns satiric, picaresque, and apocalyptic, The Last of the Angels paints a loving, panoramic, and elegiac portrait of Kirkuk in the final years of Iraq's monarchy. But as the grim reality of modern Iraqi history catches up with the novel's events, we come to learn the depth and complexity of Hameed Nylon, Khidir Musa, and Burhan Abdullah, and al-Azzawi's comic novel becomes a moving tale of growing up in a dangerous world.… (altro)
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This turgid novel narrates life in an Iraqi neighborhood; eventually we are told that the time period is early days in the Cold War. The characters are numerous and uninteresting as they pass their days endlessly debating the fine points where Islam meets superstition, and, eventually, trying to gear up a delegation to approach the city fathers about saving a cemetery under threat by road construction. Needless to say, this is all quite uninteresting. It is difficult to keep the myriad characters straight to say the least, and vocabulary demands are significant. There is a glossary appended, but it's pretty much useless. It must be said that the book becomes much more interesting toward the end, as the vignettes about trivialities recede, a unified plot begins to boil, and an impressive deployment of magic realism shifts us into a vivid apocalypse encountered by a heretofore minor character, none of which quite seems recompense for the previous month of rather tedious reading.. ( )
  Big_Bang_Gorilla | Oct 14, 2023 |
I was intrigued with this book, for the content (based on the back cover) and the vibrant front cover. I even got one of my RL book groups to read it. None of us liked it or finished it. Edit: at the meeting 3 of us didn't like it or finish. 2 liked 75% of the book, but not the ending. They skimmed the ending, because it didn't seem to them to match the rest of the story.

I found the translation to be pretty good, and some parts of it are interesting, in terms of the culture, society, and introduction of modern technology in 1950s Iraq. It also is set in a time when the country was run by the Brits, and colonized by their oil company. We forget about those details.

There are several problems for me though. The book says it is about a man who drives a car for one of the top executives at the oil company. He is an Iraqi and his culture is very different than the Brits. He makes a mistake and is fired for it. Unfortunately, though that is what is blurbed on the back cover, that isn't really what the book is about. It is very much a magical realism type of book, and the premise above is only the way into the story about the community (a neighborhood in Kirkuk).

After the first few pages the story veers off to follow whatever is brought up. A new person, we go and read about his life, family, and dreams. Then it jumps to someone else, and another and another. We even end up following the dreams of a cat. While that could be interesting as a one off, the whole book is like that. The result is that there is no anchor for me. I don't have any feeling or interest in the characters, so the brief events of their lives don't interest me. The stories also don't grab me.

The full names used are also confusing, and often similar so I am never sure who is being referred to. Some people only appear once, and some are recurring, but because you keep jumping around you are never sure.

I got to about page 100 and just couldn't force myself to read more. I feel bad that I couldn't enjoy it and finish it, and I am sure that I am the problem more than the book. ( )
  FicusFan | Dec 18, 2009 |
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» Aggiungi altri autori (2 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Fadhil al-Azzawiautore primariotutte le edizionicalcolato
Bender, LarissaÜbersetzerautore secondarioalcune edizioniconfermato
Hutchins, William M.Traduttoreautore secondarioalcune edizioniconfermato
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Set in the northern Iraqi city of Kirkuk during the 1950s, The Last of the Angels tells the slyly humorous tale of three strikingly different people in one small neighborhood. During a labor strike against the British-run Iraq Petroleum Company, Hameed Nylon becomes a labor organizer and later a revolutionary, like his hero, Mao Tse-Tung. His brother-in-law, the sheep butcher Khidir Musa, travels to the Soviet Union to find his long-lost brothers, and returns home to great acclaim (and personal fortune) in an airship. Meanwhile, a young boy named Burhan Abdullah discovers an old chest in the attic of his family's house that lets him talk to angels. By turns satiric, picaresque, and apocalyptic, The Last of the Angels paints a loving, panoramic, and elegiac portrait of Kirkuk in the final years of Iraq's monarchy. But as the grim reality of modern Iraqi history catches up with the novel's events, we come to learn the depth and complexity of Hameed Nylon, Khidir Musa, and Burhan Abdullah, and al-Azzawi's comic novel becomes a moving tale of growing up in a dangerous world.

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