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Sto caricando le informazioni... Six Characters in Search of an Author and Other Plays (Twentieth Century Classics)di Luigi Pirandello
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A volume of plays from the founding architect of twentieth-century drama, including his most popular and controversial work A Penguin Classic Pirandello is brilliantly innovatory in his forms and themes, and in the combined energy, imagination and visual colours of his theatre. This volume of plays, translated from the Italian by Mark Musa, opens with Six Characters in Search of an Author, in which six characters invade the stage and demand to be included in the play. The tragedy Henry IV dramatizes the lucid madness of a man who may be King. In So It Is (If You Think So), the townspeople exercise a morbid curiosity attempting to discover "the truth" about the Ponza family. Each of these plays can lay claim to being Pirandello's masterpiece, and in exploring the nature of human personality, each one stretches the resources of drama to their limits. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)852.912Literature Italian and related languages Italian drama 1900- 1900-1999 1900-1945Classificazione LCVotoMedia:
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“You imbecile”, yelled the stage-manager. “You expect me to believe this garbage and let my actors perform your absurdity".
“Yes”, I affirm, “The settings should be realistic and the truth should be told in its unaltered form.”
“I am an unrealized character sir”, I humbly say, “I need you to finish my story and bring it to life”.
The stage manager now enraged walks away hurling obscenities and muttering, “Acting is our business here. Truth up to a certain point, but no further”; as he looks at me with a sardonic smile.
Pirandello illuminates the ‘Theatre of Absurd’ genre in this bizarre performance. A form of drama that emphasizes the absurdity of human existence by employing disjointed, repetitious and meaningless dialogue, purposeless and confusing situations and plots that lack realistic or logical development. Purely in its theatrical form he depicts a tale of six characters in search of an author who is able not only to complete their fragmentary story but to perform their ingenuous legitimacy. A story which is not a story after all. Through the numerous arguments between the six characters and the stage manager about portrayal of reality in its unaltered state to the audiences marks the debate of life reality v/s stage reality. The sense of illusion what is illustrated to be a reality on performance stage is far from the factual forms.
The plethora of reality television that demarcates an entire generation outlook mutates the genuineness of its characters. How real are the nuances of these actors who state publicly that their respected shows are not scripted but spontaneous? The movies that state ‘based on a true story’, how far do they enact the truth or is pragmatism edited to normalization of absurdity. Pirandello stresses on the theatre being an illusion of reality where actors masquerade real emotions through rehearsals and mutability.
A brilliant existentialism perception of individuals being characters all through their life portraying roles that their born into and the normality of emotions attached to their specific roles. Who are we? The roles that we are born into or the tangible roles we want to play.
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