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Sto caricando le informazioni... Fanny Kemble: A Reluctant Celebritydi Rebecca Jenkins
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Born into a theatrical dynasty, Fanny Kemble lacked the rest of her family's desire to perform. But when their theatre at Covent Garden was threatened with closure in 1829, Fanny reluctantly volunteered to take to the stage. The young actress's debut was a huge success and her life as a nineteenth-century celebrity had begun. Soon Fanny found herself a slave to the stage, paraded around the country by her avaricious father. On a tour of the US she saw a chance to escape in the form of the charming Pierce Butler. However, in marrying him, Fanny had merely cast aside one set of chains for another: Pierce would not tolerate her independence. Fanny was to discover another abhorrent side of her husband -- his money came from plantations in America's South maintained by the slavery system she had grown to loathe. In protest, she set about writing the book that made her the scandal of American society, JOURNAL OF A RESIDENCE ON A GEORGIAN PLANTATION, and her marriage collapsed in the midst of Civil War. Non sono state trovate descrizioni di biblioteche |
Discussioni correntiNessunoCopertine popolari  
 Google Books — Sto caricando le informazioni...GeneriSistema Decimale Melvil (DDC)792.028092The arts Recreational and performing arts Stage presentations, Theatre Standard subdivisions and types of stage presentation Techniques, procedures, apparatus, equipment, materials, miscellany Acting and Performance History, geographic treatment, biography BiographyClassificazione LCVotoMedia: (3)
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I've given up. I was perturbed to realise that I had got half-way through the book and she was still only 20 years old; only when I looked at the author's website just now did I realise that this is in fact just the first of two volumes. There is almost no hint anywhere on the dustjacket that the book takes us only through the first thirty years of her life (her theatrical career and the early years of her disastrous marriage), leaving the other fifty yet to come. I feel cheated and angry.
I wouldn't mind if it was a good book; but it isn't. It is a simple summary of Fanny Kemble's own memoirs, with a vague attempt to throw in some historical context here and there, and the author's own rambling speculations as to the motives of Kemble and her relatives. The editing is uneven; the text repetitive; and the footnotes absolutely absurd on occasion.
On the few occasions that Jenkins allows us to hear Kemble's voice, the vastly better quality of her subject's writing style (and her welcome self-deprecation and humour, a startling contrast to Jenkins' treatment of her) really shines through. (