A sci-fi morality play full of compelling themes and ideas (eg, individualism vs totalitarian conformity) that you'd expect from something written in 1960 by Solzhenitsyn, with the execution of these themes and ideas lacking a certain finesse as you'd expect from something written in 1960 by Solzhenitsyn distracted with writing First Circle. ( )

A play by Solzhenitsyn about a scientist recently released from prison, and a young woman who is the subject of biofeedback experiments. The play is somewhat autobiographical, and contains clear statements of his beliefs and philosophy. ( )