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The African diaspora - a direct result of the transatlantic slave trade and Western colonialism - has generated a wide array of artistic achievements in our century, from blues to reggae, from the paintings of Henry Ossawa Tanner to the video installations of Keith Piper. This brilliant new study of twentieth-century black art is the first to concentrate on the art works themselves and on how these works, created during a period of major social upheaval and.
Transformation, use black culture both as subject and as contextual basis. From musings on "the souls of black folk" in turn-of-the-century painting, sculpture and photography, to questions of racial and cultural identities in performance, media and computer-assisted arts in the 1990s, it draws on the work of hundreds of artists including Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Wifredo Lam, Jacob Lawrence, Spike Lee, Robert.
Mapplethorpe, Faith Ringgold and Gerard Sekoto; biographies of more than 160 key artists provide a unique and valuable art historical resource.… (altro)
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The Dark Center
The Alchemy of Black
In 1952, the Martiniquan psychiatrist and cultural theorist Frants Fanon wrote Peau noire, masques blancs (Black Skin, White Masks): a provocative book that in its analysis of the damaging psychological effects that racism had on peoples of African descent, shattered the more conciliatory views of race relations which were proffered by many social and political apologists during this period.
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I am wholly what I am. I do not have to look for the universal. No probability has any place inside me. My Negro consciousness does not hold itself out as a lack. It is. It is its own follower.
The African diaspora - a direct result of the transatlantic slave trade and Western colonialism - has generated a wide array of artistic achievements in our century, from blues to reggae, from the paintings of Henry Ossawa Tanner to the video installations of Keith Piper. This brilliant new study of twentieth-century black art is the first to concentrate on the art works themselves and on how these works, created during a period of major social upheaval and.
Transformation, use black culture both as subject and as contextual basis. From musings on "the souls of black folk" in turn-of-the-century painting, sculpture and photography, to questions of racial and cultural identities in performance, media and computer-assisted arts in the 1990s, it draws on the work of hundreds of artists including Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Wifredo Lam, Jacob Lawrence, Spike Lee, Robert.
Mapplethorpe, Faith Ringgold and Gerard Sekoto; biographies of more than 160 key artists provide a unique and valuable art historical resource.
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