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Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.… (altro)
Satire as we know it was popularized first with the ancient Romans. The satirist Lucilius, writing in the 2nd century BCE, is usually credited as the earliest writer in the genre. Kirk Freudenberg’s Cambridge Companion to Roman Satire cover the length and breadth of the field with articles that discuss the origin of Roman satire, it affect on the social landscape of ancient Rome, and how the genre affected later and current English writing. While each of the authors’ take on Roman satire was interesting, you definitely need to have a bit of actual Roman satire for it to really sink in. This book is a decent supplement to the writing of Ennius, Horace’s satires, Persius’s stoicisms, Juvenal, Seneca, and even Julian and Boethius. It is good to know, however, that satire has survived to the present day. Without it, we wouldn’t have so many great movies today poking fun at all of society’s little cracks. A thick and interesting read. ( )
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
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