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Sto caricando le informazioni... The Guest Lecturedi Martin Riker
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![]() Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. ![]() ![]() One of the more unique books I've ever read. The premise is that an economist is practicing giving a speech on Keynesian Economics and John Maynard Keynes. She is doing so while in the throes of insomnia. The book is essentially one long stream of consciousness where the protagonist spirals between practicing the speech, talking to her subconscious, digging up and working through painful memories, and walking through her house (as a memory device to remember her speech). It is a beautiful human book, and one I enjoyed far more than I expected. This is the story of a lady economics professor who is denied tenure and trying to come to terms with this. She has been chosen to make a speech based in part on the writings of John Maynard Keynes though he has been dead for many years becomes a vision taking an active part is her life as a whole. She is married with a small daughter who plays little part in the novel. The book is pretty dry with to many one and two page paragraphs. The Guest Lecture by Martin Riker is a short but dense book that looks at several of life's problems through the lens of a woman about to give a lecture right after receiving bad news. We basically accompany the protagonist as she lies awake in bed trying to organize the lecture she is about to give by using her house as a memory device. With the help, sorta, of Keynes she looks at the things that have gone wrong, and what the future might hold for her family. The use of Keynes helps to link the personal with the public, the small picture with the larger societal picture. This book will appeal to readers who are content to have less action and more contemplation. Which means those who don't like it will probably really not like it. That said, ignore any so-called economist who asks, in a dismissive manner, just what is feminist economics. Thirty years as an educator and he has never heard of a field that has had its own major journal since the mid-90s. But then again he is no doubt more focused on his non-academic financial group than with knowing his field more widely. Dismiss his misogyny the way he dismisses the woman in the novel, he is just the typical "help the haves get more" idiot. While I wouldn't necessarily recommend this book widely, I would highly recommend it to those I do. I'm just not sure how wide the readership will be. Reviewed from a copy made available by the publisher via NetGalley. Abigail has just received about the worst news possible for any junior professor: she will not be granted tenure at her current university. As the only female member of the Economics Department, she now faces the unenviable prospect of finding a new job at a vastly inferior college so that she can continue to support her husband Ed, himself an adjunct faculty member, and Ali, her young daughter. To make matters worse, she is presently struggling to focus on a lecture she has committed to give the next morning on Pragmatic Optimism in the writings of legendary economist John Maynard Keynes. As she lies awake with her troubled thoughts, she conjures up Keynes’ image to serve as a spiritual guide and sounding board to help her prepare for the seminar she now views as crucial to her professional future. That is the basic premise of The Guest Lecture, Martin Riker’s novel of philosophical musings, linguistic discourse, and one woman’s confrontation with her own shortcomings. I would love to report that I found the book to be both charming and intellectually engaging, but, sadly, it turned out to be neither of those things. Instead, the prose was more pretentious than illuminating, with frequent and seemingly gratuitous references to such topics as ancient Greek elocution techniques, outmoded economic theories, misguided indictments of how educational institutions function, the role of rhetoric in academic research, and so on. The result of the author trying to do way too much—and with too much showing off—was a story that became increasingly muddled and unfocused as Abby and Keynes worked through her litany of issues during the long and tortured night. And the lack of resolution in the ending was, to say the least, quite unsatisfying. Perhaps the real problem with the novel was Abby, who was a genuinely unlikeable character. Labeled a “feminist economist” (whatever that is supposed to mean), she blamed everyone but herself—e.g., the person who hired her, her older male colleagues, her husband—for her failure to produce a significant enough scholarly record to merit promotion. Further, when her vanity book project was revealed to be highly derivative of someone else’s work published thirty years earlier, she lamented that no one in the profession had made her aware of that fact. As someone who has survived more than three decades as an academic economist, trust me when I say that Abby truly deserved the outcome she got, irrespective of the gender card she plays at every chance. If there are people in the story worth feeling sorry for it would be Ed and Ali, or even J. M. Keynes, who I suspect was not asked if he wanted to be part of all this. Unfortunately, this is not a book that I can recommend.
Abby is among the most convincing female narrators written by a man, largely because of how capacious she is, and how many voices she harbors within herself ... The Guest Lecture evokes a choir within a single, immobile person ... Dense with double meaning ... Riker (thankfully) spares us hotel room prose, but he also discovers an imaginative means of reconciling realism to ideas. Instead of scrubbing his novel of characters, dialogue, and detail—or calling attention to their artifice through metafictional bulletins—he outsources the world-building to his protagonist. It is Abby, after all, who constructs the mnemonic house, piece by piece, with the poetic verve of a novelist. It is she who fractures her voice into multiple characters and sets them in dialogue with one another. The Guest Lecture situates the mind in relation to the world using a clever and surprisingly effective conceit ... The novel itself is governed by a finely orchestrated sense of instability. Riker punctuates the chatty narration with abrupt bursts of self-castigation as Abby struggles to seize the reins of her runaway mind ... Moments are believable but didactic, disrupting the vividly peripatetic flow of thought with the clumsiness of cliché. The Guest Lecture is far more compelling when it addresses the chaos of the outside world through the more intimate texture of Abby’s anxiety ... A strange little novel of cosmopolitan solipsism. The Guest Lecture is a novel of ideas and feelings, of feelings about ideas and ideas about feelings ... It bursts with philosophy, jokes, factoids, tense academic social dynamics and fragments of formative memory ... Riker makes a credible critique of academia’s priorities ... The Guest Lecture analyzes how people live with their ideas, particularly when the world tells them those ideas are misguided. Defending personal philosophy in the face of rejection is always difficult, especially when the personal philosophy is optimism. A breathless, night-before-the-big-day cram feels like an ideal form for this expression. The book carries the exhaustive feeling that it’s captured everything the protagonist wanted to say. It doesn’t attempt the great unmastered art form of the age, to leave things out. A last hurrah shouldn’t skip any final word. Tracing Abby’s restless thoughts toward a daylight epiphany, Riker embraces the 'didactic novel' genre used by feminist writers in the early nineteenth century. It’s a risky approach; what some readers will appreciate as a helpfully topical map of one woman’s feminist-intellectual development, others may consider a tendentious exercise. But Keynes himself declared that 'words ought to be a little wild,' and this clever, provocative novel, with its hard-wrought optimism, honors that call to disrupt.
With "a voice as clear, sincere, and wry as any I've read in current American fiction" (Joshua Cohen), Martin Riker's poignant and startlingly original novel asks how to foster a brave mind in anxious times, following a newly jobless academic rehearsing a speech on John Maynard Keynes for a surprising audienceIn a hotel room in the middle of the night, Abby, a young feminist economist, lies awake next to her sleeping husband and daughter. Anxious that she is grossly underprepared for a talk she is presenting tomorrow on optimism and John Maynard Keynes, she has resolved to practice by using an ancient rhetorical method of assigning parts of her speech to different rooms in her house and has brought along a comforting albeit imaginary companion to keep her on track-Keynes himself.Yet as she wanders with increasing alarm through the rooms of her own consciousness, Abby finds herself straying from her prepared remarks on economic history, utopia, and Keynes's pragmatic optimism. A lapsed optimist herself, she has been struggling under the burden of supporting a family in an increasingly hostile America after being denied tenure at the university where she teaches. Confronting her own future at a time of global darkness, Abby undertakes a quest through her memories to ideas hidden in the corners of her mind-a piecemeal intellectual history from Cicero to Lewis Carroll to Queen Latifah-as she asks what a better world would look like if we told our stories with more honest and more hopeful imaginations.With warm intellect, playful curiosity, and an infectious voice, Martin Riker acutely animates the novel of ideas with a beating heart and turns one woman's midnight crisis into the performance of a lifetime. Non sono state trovate descrizioni di biblioteche |
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![]() GeneriSistema Decimale Melvil (DDC)813.6Literature English (North America) American fiction 21st CenturyClassificazione LCVotoMedia:![]()
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