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Matthew Zapruder picks the poems for the 2022 edition of TheBest American Poetry, "a 'best' anthology that really lives up to its title" (Chicago Tribune). Since 1988, The Best American Poetry series has been "one of the mainstays of the poetry publication world" (Academy of American Poets). Each volume presents a selection of the year's most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are "for everyone, everywhere...democratic in [their] insights and feelings" (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.… (altro)
In the late 1960s I came across an anthology of new American poetry on the shelves of my high school library. I had been systemically reading all of the poetry books on the shelf, everything from Catullus to a book of poetry for young adults. I discovered many poets in that volume, so I was excited to get The Best American Poetry 2022, knowing I would discover poets new to me.
I did find some familiar poets, including Gerald Stern, who so recently passed, and who I heard read from Lucky Life when a student at Temple University, whose Lest I Forget Thee is included. And poets whose recent books I was lucky to have received from the publisher, including Sharon Olds whose Best Friend Ballad was a favorite in her collection Balladz, and Charles Simic’s In the Lockdown from No Land in Sight.
Many of the poems reflect contemporary life: Covid isolation and fears, racism, the failure of the American Dream, loss, the things which sustain us.
I will note some of my favorites in this volume upon first reading.
Goblin by Matthew Dickman tells of a grandfather playacting a goblin to scares his child. “Half the time I had no idea what I was doing,” he writes about child raising, before continuing, “but I think we do know.” I was transported to my mother’s game of holding me over the side of the bed, saying the mice would eat my toes, and pulling me back to her in a hug. I was an adult before I realized it was why I was afraid to cross a dark room at night, worried that something would eat my toes!
Lisa Muradyan reflects a mother’s concern during the pandemic in Quoting the Bible: “I place a green dinosaur/mask on his face,/don’t be afraid, I spray/ his hands with disinfectant/ don’t be afraid/I hold him close.”
“I would love to live/In a country that lets me grow old,” Jericho Brown writes in Inaugural.
Biographies of each poet includes a comment on the poem included, which I often found as moving as the poem. “I have been thinking more and more about what it means to reproduce ourselves–through art, through offspring–what it means to live, love, age, die, leave a legacy when our world is facing potential extinction,” Cathy Linh Che comments on Marriage. It is something I often think about, age 70 and without a grandchild, our son the last to carry on his family name, making my quilts and writing my reviews.
My Father’s Mustache arose when Ada Limon’s father sent her a photograph of himself from the 1970s when he was young and in his prime; it had been a year since they had seen each other. His portrait of him is so vivid, sporting the “lush mustache” she “adored.” “As a child I once cried when he shaved it. Even then/I was too attached to this life.” I recalled my husband from that time with his dark hair and thick mustache and tan designer suit.
Elegy on Fire by D. A. Powell grew out his frustration with Fourth of July fireworks that are potential fire threats, a fear I share as we live a block away from a a yearly big fireworks display; the poem morphed into something deeper. “I want to wake up the neighbors/the way they once woke me the/building’s on fire get out get out/I want to have already rebuilt after/patriotism had hurled its sparklers/in its trash and scorched us all”.
Erika A. Sanchez’s Departure is chilling, a poem that helped her work through trauma.
As things kept getting worse in 2020, William Waltz wrote In a dark time, the eye begins to see. “When we looked/past the flames/all was a curtain/of mystery and ignorance,/so we poked the pit/with pointed sticks.”
The seventy-five poems are chosen from online and print magazines. I loved the diversity and the timely subjects and themes.
I received an ARC from the publisher. My review is fair and unbiased. ( )
Matthew Zapruder picks the poems for the 2022 edition of TheBest American Poetry, "a 'best' anthology that really lives up to its title" (Chicago Tribune). Since 1988, The Best American Poetry series has been "one of the mainstays of the poetry publication world" (Academy of American Poets). Each volume presents a selection of the year's most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are "for everyone, everywhere...democratic in [their] insights and feelings" (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.
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(4.5)
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I did find some familiar poets, including Gerald Stern, who so recently passed, and who I heard read from Lucky Life when a student at Temple University, whose Lest I Forget Thee is included. And poets whose recent books I was lucky to have received from the publisher, including Sharon Olds whose Best Friend Ballad was a favorite in her collection Balladz, and Charles Simic’s In the Lockdown from No Land in Sight.
Many of the poems reflect contemporary life: Covid isolation and fears, racism, the failure of the American Dream, loss, the things which sustain us.
I will note some of my favorites in this volume upon first reading.
Goblin by Matthew Dickman tells of a grandfather playacting a goblin to scares his child. “Half the time I had no idea what I was doing,” he writes about child raising, before continuing, “but I think we do know.” I was transported to my mother’s game of holding me over the side of the bed, saying the mice would eat my toes, and pulling me back to her in a hug. I was an adult before I realized it was why I was afraid to cross a dark room at night, worried that something would eat my toes!
Lisa Muradyan reflects a mother’s concern during the pandemic in Quoting the Bible: “I place a green dinosaur/mask on his face,/don’t be afraid, I spray/ his hands with disinfectant/ don’t be afraid/I hold him close.”
“I would love to live/In a country that lets me grow old,” Jericho Brown writes in Inaugural.
Biographies of each poet includes a comment on the poem included, which I often found as moving as the poem. “I have been thinking more and more about what it means to reproduce ourselves–through art, through offspring–what it means to live, love, age, die, leave a legacy when our world is facing potential extinction,” Cathy Linh Che comments on Marriage. It is something I often think about, age 70 and without a grandchild, our son the last to carry on his family name, making my quilts and writing my reviews.
My Father’s Mustache arose when Ada Limon’s father sent her a photograph of himself from the 1970s when he was young and in his prime; it had been a year since they had seen each other. His portrait of him is so vivid, sporting the “lush mustache” she “adored.” “As a child I once cried when he shaved it. Even then/I was too attached to this life.” I recalled my husband from that time with his dark hair and thick mustache and tan designer suit.
Elegy on Fire by D. A. Powell grew out his frustration with Fourth of July fireworks that are potential fire threats, a fear I share as we live a block away from a a yearly big fireworks display; the poem morphed into something deeper. “I want to wake up the neighbors/the way they once woke me the/building’s on fire get out get out/I want to have already rebuilt after/patriotism had hurled its sparklers/in its trash and scorched us all”.
Erika A. Sanchez’s Departure is chilling, a poem that helped her work through trauma.
As things kept getting worse in 2020, William Waltz wrote In a dark time, the eye begins to see. “When we looked/past the flames/all was a curtain/of mystery and ignorance,/so we poked the pit/with pointed sticks.”
The seventy-five poems are chosen from online and print magazines. I loved the diversity and the timely subjects and themes.
I received an ARC from the publisher. My review is fair and unbiased. (