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Sto caricando le informazioni... Un antropologo su Marte: sette racconti paradossali (1995)di Oliver Sacks
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Seven case studies, very much a continuation of the Man Who Mistook His Wife For A Hat. I was particularly interested in the Case of The Colour-Blind Painter, and the colour studies on the mind, both in physics and neurology. Some of the chapter on The Last Hippie I had read about before in Uncle Tungsten. Overall Sacks presents each character as someone to be admired, and celebrates the human ability to adapt to challenges. nessuna recensione | aggiungi una recensione
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The author profiles seven neurological patients, including a surgeon with Tourette's syndrome and an artist whose color sense is destroyed in an accident but finds new creative power in black and white. Non sono state trovate descrizioni di biblioteche
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)616.8Technology Medicine and health Diseases Diseases of nervous system and mental disordersClassificazione LCVotoMedia:
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With the people who suffered brain injury, some were able to turn their condition to a positive outcome, for example, the artist who lost his ability to perceive colour but was able to move to monochrome instead. However, the man who could not remember anything after around 1967 does come across as a tragic case, as does the blind man who, sight restored, found the greatest difficulty adapting - illustrating that seeing is not just a matter of the eyes but a complex process taking place in multiple areas of the brain to result in something that makes sense at the conscious level. And that it is also mastered when we are babies - that we have to learn to interpret the visual input entering via the eyes and into the brain's various processing areas. That idea was interesting.
I had a few problems with the book. One is the author's tendency to introduce medical terms regarding areas of the brain or conditions without explaining them. A glossary and a diagram of the brain would have greatly assisted. To some extent the book comes across as not being a coherent whole, and when I checked the copyright page, I discovered that earlier versions of all the chapters had been previously published in The New York Review of Books, which would explain its lack of focus.
Apart from the vignette about the blind man, which does have some valuable conclusions as mentioned above, there is no real resolution to the case histories. Possibly this general deficiency is due to the book's 1995 publication date: the reasons why certain things happened, or how the brain worked in particular ways, wasn't known then. Perhaps those are still unknowns, but I found it frustrating.
Disquietingly, there is a tendency to ponder whether the people under consideration are really 'human' especially Stephen, the autistic boy-artist, as in whether they have the same kinds of emotions and feelings of identity as people lacking those conditions. The word 'retarded' is used quite a bit, though in 1995 that was probably still an acceptable medical term. The author went on holiday with Stephen, but basically did so to study him, rather than because he liked him. And that made me a bit uncomfortable in a way I hadn't been with previous books by this author. So altogether I would rate this as a 3 star read. ( )