“Doom. You recognize Doom easily. It’s a feeling and a taste, and it’s black, and it’s heavy. It comes down over your head, and wraps tentacles around you, and sinks long dirty fingernails into your heart. It has a stink like burning garbage. Doom.”

A tv repair man goes out on a call and immediately falls in love with the gorgeous young woman at the house and agrees to help her kill her sick stepfather. Snap! Just like that!
So, of course, it goes to follow that the plan is terrible and suspicion falls on them immediately. And that is the story. The end. On the positive side, it reads quickly! ( )

The Vengeful Virgin by Gil Brewer

Eighteen year old Shirley Angela is the caretaker of her ailing stepfather (Victor), a task that she finds more than unpleasant. She meets a television repairman Jack (and) falls head-over-heels for him. Blinded by love they decide to end Victor's life and live off his money, what could go wrong?

The Vengeful Virgin is an intense, suspense filled dramatic page-turner. A thrilling story of love, lust, greed, and revenge. I highly recommend to those who enjoy a gripping read. ( )

For me, this 1958 crime novel is to the anfractuous-girl-with-money-wants-affair-with-me fantasy what PKD's A Scanner Darkly is to recreational drug use. The ending will scare the bejeebers out of you—in an intellectual don’t-challenge-the-gods kind of way—but you can't stop turning the pages. I haven’t read many books in this genre so I can’t tell you if it is superior in that way, but an underlying subtext of sincere regret and spurned grace enables us to sympathize with the protagonist and say, “There but for the grace of God go I.” ( )

Vengeful Virgin might at first glance appear to be just another Postman Rings Twice triangle of lust, passion, greed, and self- destruction. It's got the mean old man who won't die, the young sexy nympho who can't leave the old man, the money she stands to get when he goes six feet under, and the character who is seduced by the young woman and loses his mind over her. But: this is Gil Brewer's take on this seductive tale and it is red hot noir like you've never read before.

How good is Brewer's writing. Well, he grabs with the first paragraph and never lets go of his death-grip on your throat. "She wasn't what you would call beautiful. She was just a red-haired girl with a lot of sock," is what he opens with. Shirley Angela is her name and she is the eighteen-year-old stepdaughter of a rich, old man confined ninety percent of the time to a hospital bed in his home. She has spent three years tending to his every need and can't walk away because he has $400,000 socked away in the bank and she stands to inherit it if she survives.

Jack Ruxton is the tv repairman. She, it seems, hires him to install televisions and remote controls and intercoms in every room. "She was a puzzler. I knew she was in her teens, yet she had the poise and direct and deadly poise of a woman beyond her years." He couldn't keep his eyes off legs and she knew it. As she helped the old man, Jack watched her across the bed and knew she knew what he had been thinking- what if the bed were empty and he wasn't there. As he leaves there, he thinks about the feeling you get, just a little tight in the chest, not quite enough air.

The next day, Jack realizes that she isn't even looking at the brochures he brings. She came up against him, "watching [him] with big round eyes." And, he went "nuts for her." "She began to groan and moan, writhing wildly. She was a tiger." He explains: "I knew I'd never get enough of her. She was straight out of hell." Wow. Doesn't Brewer just say it all there. This femme fatale is no innocent babe in the woods. Nope, she is "straight out of hell." And, she is going to drag him with her back into hell, isn't she?

The third day, Jack comes over and she tells him, "I wish he was dead." When he tells her that she doesn't want the old man in the hospital because the doctors might just keep him alive forever, she wrenches her hands loose and rakes her nails down the side of Jack's neck. "She squirmed and writhed and kicked." There is nothing but raw red hot emotion in Brewer's stories and the people are filled with passion so scorching that their guts are just ripped apart inside and they never can find peace.

Brewer does an amazing job of letting the reader see the world through Jack's eyes, feeling his pain and his desperation. But, maybe that was the point. This is his story -- his confession. He is a womanizer. He beats his girlfriend Grace like she's a punching bag. He seduces a barely legal teen and convinces her to kill her stepfather so he can get his hands on the money. And, throughout the story, it's not his fault. This temptress from the gateway of hell made him crazy, made him sick in the head. Grace wouldn't leave him alone do he had to teach her a lesson. The old man was taking advantage of his stepdaughter rather than spending money on a nurse. The nosy neighbor can't stay out of it, won't leave him alone, Is he the devil or just another hard luck case?

This is one terrific noir story on do many levels. It's worth reading more than once. ( )

This is a twisted piece of crime fiction about greed and lust. Beautiful 18 year old Shirley Angela is the adopted daughter and carer of the elderly invalid Victor, but she feels angry trapped and miserable looking after the old man. When TV repairman Jack arrives to install a new intercom system the pair immediately fall for each other. They’re soon lovers and before long are hatching a plot to get rid of Victor and make off with his money. It’s never that easy however, as there’s nothing like money to come between lovers. Originally published in the 1950s, the novel is a marvellously written book full of a dark noir momentum and a sense of doomed inevitability. Brewster’ story and writing overflows with murderous intent and a relentlessly growing paranoia. Shirley and Jack are marvellously drawn flawed (possibly psychopathic) characters whose actions spiral out of their control before ending in one of the most horrifically retributive climaxes in all of noir fiction. Gripping and entertaining throughout “The Vengeful Virgin” is a deadly morality play about lust for money and the sordid downside of the “American Dream”. ( )