Fai clic su di un'immagine per andare a Google Ricerca Libri.
Sto caricando le informazioni... Echolaliadi Briohny Doyle
Nessuno Sto caricando le informazioni...
Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. nessuna recensione | aggiungi una recensione
Premi e riconoscimenti
What could drive a mother to do the unthinkable? Before: Emma Cormac married into a perfect life but now she's barely coping. Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn. After: The summers have grown even fiercer and the Cormac name doesn't mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn't even know what legacy means now. Not since the ground started sinking beneath her. Non sono state trovate descrizioni di biblioteche |
Discussioni correntiNessuno
Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)829.3Literature English Old English literature, ca. 450-1100 BeowulfVotoMedia:
Sei tu?Diventa un autore di LibraryThing. |
In the before, Emma is married to Robert Cormac, the princely only son of local wealthy construction developers, and installed in the expansive home he built for them. It’s the stuff of fairytales for Emma, who is from a far less affluent background, which only begins to sour with the birth of their second child, a son who is quickly diagnosed with a hereditary disorder, and viewed as a blot on the Cormac family name. Seeking redemption for what is perceived as her failure to provide a suitable heir, barely eighteen months later Emma presents her husband wth a healthy son, Robbie.
After, Emma’s children, Clem and Arthur, are young adults who have not seen their mother since the night baby Robbie died. While Arthur has made a life for himself far from the influence of the Cormac’s, Clem remains haunted by all she does not know.
Echolalia is a bleak tale, commenting on climate change, capitalism, class, privilege, legacy, patriarchy, trauma and motherhood. I found the ‘Before’ to be more compelling than the ‘After’, which feels somewhat unresolved.
Emma’s emotions are viscerally portrayed as she becomes increasingly fragile, both emotionally and physically. Her sense of self already vague, it disintegrates under the expectations of the family she has into married to. Drifting unheeded towards the inevitable tragedy, it’s clear Emma is suffering from post natal depression which tips into psychosis.
In their relationship with Emma, while her husband Robert is perhaps at best myopic, his mother Pat is wilfully insensitive, and Robert’s cousin, Shane, is pointedly cruel. These attitudes are also echoed in their business dealings as the wield their wealth and power in ways which are both careless and deliberate. In the aftermath the Cormac’s accept no responsibility, Emma and the loss of Robbie, a convenient scapegoat for everything that then befalls them.
With its crisp and evocative prose, Echolalia is a raw, poignant and unsettling novel that left me uncomfortable, but thoughtful. ( )