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Novels 1956-1964: Seize the Day, Henderson the Rain King, Herzog

di Saul Bellow

Altri autori: James Wood (A cura di)

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2672100,381 (3.91)9
"Passionate, insightful, often funny, and exhibiting a linguistic richness few writers have equaled, the novels of Saul Bellow are among the defining achievements of postwar American literature. Novels 1956 1964 opens with Seize the Day, a tightly wrought novella that, unfolding over the course of a single devastating day, explores the desperate predicament of the failed actor and salesman Tommy Wilhelm. The austere psychological portraiture of Seize the Day is followed by an altogether different book, Henderson the Rain King, the ebullient tale of the irresistible eccentric Eugene Henderson, best characterized by his primal mantra "I want! I want!" Beneath the novel's comic surface lies an affecting parable of one man's quest to know himself and come to terms with morality; like Don Quixote, Henderson is, as Bellow later described him, "an absurd seeker of high qualities. Henderson's irrepressible vitality is matched by that of Moses Herzog, the eponymous hero of Bellow's best-selling 1964 novel. His wife having abandoned him for his best friend, Herzog is on the verge of mental collapse and has embarked on a furious letter-writing campaign as an outlet for his all-consuming rage. Bellow's bravura performance in Herzog launched a new phase of his career, as literary acclaim was now joined by a receptive mass audience in America."--Jacket.… (altro)
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The best of Bellow in one great volume : This remarkable volume contains what are in my opinion the three best novels of Bellow. One is the remarkable short novel, 'Seize the Day' the second is his African adventure the wildly comic 'Henderson' the third , his arguably best book, 'Herzog'. Herzog is his great meditation on history and civlization as he traces five - days in the life of Moses Herzog, a former university teacher, a historian, who is struggling to survive in the wake of his divorce from his second wife. In the course of this work Herzog writes letters to the living and the dead, including the famous dead a feature which gives special life to the book. In 'Seize the Day' the upper West Side of New York is the scene of the hero, Tommy Wilhelm's loss of a hold on his own life. As he pleads for money with his successful patronizing father Dr. Adler he falls into the clutches of the charlatan- wiseman Temkin and blows his last seven- hundred dollars on a speculative venture Temkin has recommended. The pathos of this tale of money- machine- murder of the soul- is great. It is a masterpiece of concise comic description and deep insight into the human heart. The final funeral scene is a truly great one.
These novels are among the finest twentieth- century American Literature has given us.
'Library of America' has done a service by putting them together in one most attractive volume.
  mugwump2 | Nov 29, 2008 |
Male mid-life crisis, but good psychological studies. ( )
  ZenPatrice | Nov 26, 2007 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Bellow, SaulAutoreautore primariotutte le edizioniconfermato
Wood, JamesA cura diautore secondariotutte le edizioniconfermato

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"Passionate, insightful, often funny, and exhibiting a linguistic richness few writers have equaled, the novels of Saul Bellow are among the defining achievements of postwar American literature. Novels 1956 1964 opens with Seize the Day, a tightly wrought novella that, unfolding over the course of a single devastating day, explores the desperate predicament of the failed actor and salesman Tommy Wilhelm. The austere psychological portraiture of Seize the Day is followed by an altogether different book, Henderson the Rain King, the ebullient tale of the irresistible eccentric Eugene Henderson, best characterized by his primal mantra "I want! I want!" Beneath the novel's comic surface lies an affecting parable of one man's quest to know himself and come to terms with morality; like Don Quixote, Henderson is, as Bellow later described him, "an absurd seeker of high qualities. Henderson's irrepressible vitality is matched by that of Moses Herzog, the eponymous hero of Bellow's best-selling 1964 novel. His wife having abandoned him for his best friend, Herzog is on the verge of mental collapse and has embarked on a furious letter-writing campaign as an outlet for his all-consuming rage. Bellow's bravura performance in Herzog launched a new phase of his career, as literary acclaim was now joined by a receptive mass audience in America."--Jacket.

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