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Paul Scott's epic study of British India in its final years has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence. Book one, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent books, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers. On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author's capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.… (altro)
For fans of Jewel in the Crown these books won't disappoint, for non-fans they're still great. Layered and deeply-themed the stories overlap and intertwine giving a well textured narrative. ( )
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In September 1939, when the war had just begun, Miss Batchelor retired from her post as superintendent of the Protestant mission schools in the city of Ranpur.
Citazioni
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' I walk home, thinking of another place, of seemingly long endless summers and the shade of different kinds of trees, and then of winters when the branches of the trees were so bare, that recalling them now, it seems inconceivable to me that I looked at them and did not think of the summer just gone, and the spring soon to come, as illusions; as dreams, never fulfilled, never to be fulfilled.
Ultime parole
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Fleeting moments: these are held a long time in the eye, The Blind eye of the ageing poet, So that even you, Gaffur, can imagine In this darkening landscape The Bowman lovingly choosing his arrow, The hawk outpacing the cheetah, ( The fountain splashing lazily in the courtyard), The girl running with the deer.
Paul Scott's epic study of British India in its final years has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence. Book one, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent books, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers. On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author's capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.
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