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Sto caricando le informazioni... Ce que je peux dire de mieux sur la musique (2015)di Robert Walser
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)838.91208Literature German and related languages Miscellaneous German writings 1900- 1900-1990 1900-1945 Prose : Collections or discussions of work in more than one formVotoMedia:
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The conclusion seems to be that Walser had a rather ambivalent relationship with music. Unlike Bernhard, he wasn't musically trained, and he didn't have any composers or performers in his circle of friends. He obviously did find music enormously important, and - not as much as Bernhard, but still conspicuously - he uses structures and patterns derived from music in a lot of his writing. But he clearly has a strong negative feeling about the bourgeois glorification of art-music and its performance - in the pieces collected here he is often very sarcastic about trained performers, concerts, and drawing-room music. He loves the accordion (which he confusingly refers to by his own word, Handharfe, hand-harp), but he mocks opera singers and virtuosi as much as he teases middle-class daughters-who-play. He seems to be passionate about opera, especially Mozart, but he doesn't quite like to admit to it: there are several essays in this collection where he comically tears apart the plot of an opera whilst clearly having a very intimate knowledge of its music. Whenever he is writing about a performance and detects himself getting sentimental about music, he changes the subject and tells us about how he is using the opportunity to make love to the servant-girl sitting next to him in the gallery. Or he damps our ardour and takes us back to the real world with a sentence saying something like "after the concert, it is usual to go home as quickly as possible, sometimes stopping for refreshment at a café on the way". ( )