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Walking on the ceiling

di Aysegül Savas

UtentiRecensioniPopolaritàMedia votiCitazioni
932292,758 (3.64)9
"After her mother's death, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city. M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother's silence and anger, her father's death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu's fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she's told to protect herself from her memories"--Provided by publisher.… (altro)
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I really cannot think of anything good to say about this one, except that it was not very long. It jumped all over the place, and we learned nothing about two magical cities (Paris and Istanbul) nor anything meaningful about Nunu's Turkish culture. The non-linear presentation made the book hard to follow as well. Do yourself a favor and skip this one. ( )
  skipstern | Jul 11, 2021 |
This novel slipped into my hand when I meant to be reading something else and I'm so glad it did. It creates a mood and a reality that captivated me as I read. The cadence and music of the language gripped me. A very difficult kind of novel to pull off and one that I won't forget, in fact, I'm likely to turn around and read it again soon. ( )
  poingu | Feb 22, 2020 |
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To Maks
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"After her mother's death, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city. M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother's silence and anger, her father's death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu's fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she's told to protect herself from her memories"--Provided by publisher.

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